Vincenzo Raimondo - Frammenti #4






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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€69 | ||
€60 | ||
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Diptych of two acrylic paintings by Vincenzo Raimondo, titled Frammenti #4, in multicolour, each 44 × 70 cm, signed by hand, original edition from 2026, depicting a feminine portrait in an expressionist style.
Description from the seller
2Quadri 44*70 cm
In these two new works from the series “Fragments,” the female face is decomposed, cut, traversed by nerve-like lines and instinctive marks, as if the image never wanted to fully concede itself. A few essential elements remain: defined eyelashes, red lips, hinted profiles, hints of a smirk suspended between irony, seduction, and challenge.
The two figures seem to be speaking without saying anything. One closes her eyes with an almost theatrical expression, the other bares her teeth in a more direct gesture, almost a taunt. It is not just provocation: it is a form of emotional intelligence, a way to tell the woman not as a passive image to observe, but as a presence capable of observing, judging, and even playing with the world.
The intense red of the lips becomes the forte of the diptych: it draws the gaze, holds it, and then puts it a little at ease, like when someone understands you more than you would like. The black lines crossing the faces recall thoughts, scratches, inner tensions, fragments, of identity, desire, irony, and defense.
This diptych tells of a living, imperfect, ironic, and sharp femininity. A femininity that does not ask for permission, does not seek approval, and is not easily framed, poor us who still try. Two faces that smile, challenge, and disturb with elegance, leaving the viewer with a simple yet uncomfortable question: who is really looking at whom?
***
The series “Fragments” explores the emotional strength of the human face through intense, fragmented, and deeply contemporary compositions. The eyes, lips, and facial details emerge among fast lines, overlaps, and instinctive brushstrokes, creating images suspended between elegance and unease.
Each work captures a different emotion without openly telling it: the viewer is drawn by the gaze, yet left free to interpret its meaning. The faces are never fully defined, almost dissolving among hair, marks, and movement, turning the portrait into a perception that is more emotional than realistic.
The delicate tones of the backgrounds contrast with the decisive black of the graphic lines and with the strong presence of the lips and eyes, elements that become the visual center of the work. A series with a strong aesthetic impact, capable of uniting sensuality, mystery, and modernity in an instantly recognizable style.
Here there is no perfectly cataloged, glossy portrait. There is the elegant chaos of human identity, hidden behind a gaze that seems to appear and disappear in the same instant.
***Disclaimer***
Each work arises from the encounter between artistic expression and artisanal craftsmanship.
The painting represents the main creative element, while the support (canvas and materials) is an integral part of a careful and conscious production process.
The canvases used are selected with particular attention to quality and, where possible, environmental sustainability, favoring recycled or low-impact materials. In some cases, the supports may be produced or finished by hand, even through the reuse of materials.
Any slight imperfections of the support should not be considered defects, but testimonies of the manual process and the artisanal nature of the product. Such features do not in any way compromise the artistic value and the integrity of the work, but rather strengthen its uniqueness.
Each painting should therefore be understood as a unique piece, the result of a process that combines creativity, manual skill, and responsible attention to materials.
Seller's Story
2Quadri 44*70 cm
In these two new works from the series “Fragments,” the female face is decomposed, cut, traversed by nerve-like lines and instinctive marks, as if the image never wanted to fully concede itself. A few essential elements remain: defined eyelashes, red lips, hinted profiles, hints of a smirk suspended between irony, seduction, and challenge.
The two figures seem to be speaking without saying anything. One closes her eyes with an almost theatrical expression, the other bares her teeth in a more direct gesture, almost a taunt. It is not just provocation: it is a form of emotional intelligence, a way to tell the woman not as a passive image to observe, but as a presence capable of observing, judging, and even playing with the world.
The intense red of the lips becomes the forte of the diptych: it draws the gaze, holds it, and then puts it a little at ease, like when someone understands you more than you would like. The black lines crossing the faces recall thoughts, scratches, inner tensions, fragments, of identity, desire, irony, and defense.
This diptych tells of a living, imperfect, ironic, and sharp femininity. A femininity that does not ask for permission, does not seek approval, and is not easily framed, poor us who still try. Two faces that smile, challenge, and disturb with elegance, leaving the viewer with a simple yet uncomfortable question: who is really looking at whom?
***
The series “Fragments” explores the emotional strength of the human face through intense, fragmented, and deeply contemporary compositions. The eyes, lips, and facial details emerge among fast lines, overlaps, and instinctive brushstrokes, creating images suspended between elegance and unease.
Each work captures a different emotion without openly telling it: the viewer is drawn by the gaze, yet left free to interpret its meaning. The faces are never fully defined, almost dissolving among hair, marks, and movement, turning the portrait into a perception that is more emotional than realistic.
The delicate tones of the backgrounds contrast with the decisive black of the graphic lines and with the strong presence of the lips and eyes, elements that become the visual center of the work. A series with a strong aesthetic impact, capable of uniting sensuality, mystery, and modernity in an instantly recognizable style.
Here there is no perfectly cataloged, glossy portrait. There is the elegant chaos of human identity, hidden behind a gaze that seems to appear and disappear in the same instant.
***Disclaimer***
Each work arises from the encounter between artistic expression and artisanal craftsmanship.
The painting represents the main creative element, while the support (canvas and materials) is an integral part of a careful and conscious production process.
The canvases used are selected with particular attention to quality and, where possible, environmental sustainability, favoring recycled or low-impact materials. In some cases, the supports may be produced or finished by hand, even through the reuse of materials.
Any slight imperfections of the support should not be considered defects, but testimonies of the manual process and the artisanal nature of the product. Such features do not in any way compromise the artistic value and the integrity of the work, but rather strengthen its uniqueness.
Each painting should therefore be understood as a unique piece, the result of a process that combines creativity, manual skill, and responsible attention to materials.
