Michael Challenger (1939) - Vexations





Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 134841 reviews
Rated Excellent on Trustpilot.
Michael Challenger's abstract serigraph Vexations (1970, 58 × 80 cm), hand-signed, edition 19/25 of a limited edition, produced in the United Kingdom and sold by Galerie, in reasonable condition.
Description from the seller
Challenger
Vexations
Serigraph
19/25
The work has some minor imperfections, but the image itself is in good condition.
Challenger's work forms a powerful dialogue between op-art and constructivism. His graphic work evokes the interplay of shapes, structures, and colors of his predecessors, including Albers and Escher, but in a more forceful and at the same time more playful way.
Michael Challenger studied at Goldsmiths’ College of Art (1960–1964) and then at the Slade School of Art in London (1964–1966). In the years that followed, he taught at the Slade School, Goldsmiths’ College, and the Chesterfield College of Art. He is a member of the Printmakers’ Council of Great Britain and in 1966 received the Sainsbury Award for sculpture.
Interestingly, Challenger also calls minimalist French composer Erik Satie an important source of inspiration for his geometric work. From this musical idea of dissonance and resonance, his art arises: a play of tension and harmony that becomes visible in his comp
Challenger
Vexations
Serigraph
19/25
The work has some minor imperfections, but the image itself is in good condition.
Challenger's work forms a powerful dialogue between op-art and constructivism. His graphic work evokes the interplay of shapes, structures, and colors of his predecessors, including Albers and Escher, but in a more forceful and at the same time more playful way.
Michael Challenger studied at Goldsmiths’ College of Art (1960–1964) and then at the Slade School of Art in London (1964–1966). In the years that followed, he taught at the Slade School, Goldsmiths’ College, and the Chesterfield College of Art. He is a member of the Printmakers’ Council of Great Britain and in 1966 received the Sainsbury Award for sculpture.
Interestingly, Challenger also calls minimalist French composer Erik Satie an important source of inspiration for his geometric work. From this musical idea of dissonance and resonance, his art arises: a play of tension and harmony that becomes visible in his comp

