Erasmo - Éloge de la Folie - 1946





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Erasmo’s Éloge de la Folie is an illustrated French-language edition published in Paris in 1946, with woodcuts by Lucien Boucher.
Description from the seller
THE OTHER SIDE OF WISDOM: ERASMUS CELEBRATES MADNESS IN THE MASTERPIECE THAT CHALLENGED EUROPE
Splendid bibliographic edition of Erasmus of Rotterdam’s Eloge de la Folie, one of the most influential and revolutionary texts in European culture. Published in France as a refined art edition, the work is enriched by the famous wood engravings by Lucien Boucher, the ideal interpreter of the humanistic, fantastical, and satirical universe of the great Dutch thinker. Presented in an elegant illustrated editorial box set, the volume restores all the charm of a classic that, through paradox and irony, exposed the weaknesses of society, politics, religion, and even human nature. A masterpiece of European literature and the history of Western thought.
MARKET VALUE
The French illustrated editions of Eloge de la Folie with original wood engravings by Lucien Boucher are appreciated both by Erasmus collectors and by lovers of the livre illustré of the 20th century. Complete copies of the original boxed edition generally range from €200 to €400, with higher values for copies that are especially pristine, numbered, or on special paper.
PHYSICAL DESCRIPTION AND CONDITION
Volume in a rigid illustrated editorial box. Coordinated editorial cover. Text printed on high-quality paper with ample margins. Illustrated by Lucien Boucher with polychrome woodcuts inserted in the text and on full pages. Box with some signs of use, hinges loosened. In old books with a multi-centennial history, a few imperfections may be present, not always noted in the description. Pp. (2); 214; 4nn; (4).
FULL TITLE AND AUTHOR
Éloge de la Folie.
Paris, Éditions Littéraires de France, 1946.
Érasme de Rotterdam. Illustrations en bois gravés de Lucien Boucher.
CONTEXT AND SIGNIFICANCE
Composed in 1509 during a stay with the friend Thomas More and first published in 1511, Erasmus’s In Praise of Folly represents one of the foundational works of European Humanism. Through a brilliant literary device, Folly itself speaks and praises itself, revealing how every aspect of human life is dominated by illusion, vanity, and self-deception. Behind the playful tone lies a profoundly critical view of the society of the time. Erasmus targets theologians, courtiers, politicians, monks, scholars, and even philosophers, showing how presumption and ignorance are often masked by wisdom and authority. The work exerted extraordinary influence on European thought, anticipating many Reformational themes and contributing to the birth of a new critical consciousness grounded in reason, doubt, and the observation of human nature.
BIOGRAPHY OF THE AUTHOR
Erasmus of Rotterdam (1466-1536) was the most important humanist of Renaissance Europe. A philologist, theologian, editor, and thinker, he dedicated his life to spreading classical and Christian culture through a program of moral reform based on the study of ancient sources. His critical edition of the Greek New Testament and his pedagogical and philosophical works deeply influenced European culture between the Renaissance and the Reformation.
BIOGRAPHY OF THE ILLUSTRATOR
Lucien Boucher (1889-1971) was one of the most famous French illustrators of the 20th century. Painter, engraver, advertising graphic designer, and editorial illustrator, he is best known for the renowned planispheres created for Air France. His works combine decorative elegance, symbolic fantasy, and refined historical culture, qualities that find perfect expression in the wood engravings made for Éloge de la Folie.
PRINTING HISTORY AND CIRCULATION
Elegant bibliographic edition printed by Imprimerie Nationale and completed on October 7, 1946 under the supervision of Georges Arnoul. Illustrated with original wood engravings by Lucien Boucher, it was published by Éditions Littéraires de France in a strictly limited edition of only 515 copies, distributed among sheets of different fine papers (vélin d'Arches and vélin de Rives). The deluxe copies included original drawings by the artist and special suites, confirming the highly bibliophilic nature of the edition. Today it represents one of the most sought-after illustrated French interpretations of Erasmus’s masterpiece in the post-war period.
BIBLIOGRAPHY AND REFERENCES
Allen, P. S., Opus Epistolarum Des. Erasmi Roterodami.
Huizinga, Johan, Erasmus and the Age of Reformation.
Bainton, Roland H., Erasmus of Christendom.
Bibliothèque nationale de France (BnF), Éloge de la Folie.
WorldCat, éditions illustrées de l'Éloge de la Folie.
Oxford University Library Catalogues, Erasmus editions.
British Library Catalogue, Erasmus, Moriae Encomium.
Bénézit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, voce "Lucien Boucher".
Library of Congress, Erasmus collections and illustrated editions.
Seller's Story
THE OTHER SIDE OF WISDOM: ERASMUS CELEBRATES MADNESS IN THE MASTERPIECE THAT CHALLENGED EUROPE
Splendid bibliographic edition of Erasmus of Rotterdam’s Eloge de la Folie, one of the most influential and revolutionary texts in European culture. Published in France as a refined art edition, the work is enriched by the famous wood engravings by Lucien Boucher, the ideal interpreter of the humanistic, fantastical, and satirical universe of the great Dutch thinker. Presented in an elegant illustrated editorial box set, the volume restores all the charm of a classic that, through paradox and irony, exposed the weaknesses of society, politics, religion, and even human nature. A masterpiece of European literature and the history of Western thought.
MARKET VALUE
The French illustrated editions of Eloge de la Folie with original wood engravings by Lucien Boucher are appreciated both by Erasmus collectors and by lovers of the livre illustré of the 20th century. Complete copies of the original boxed edition generally range from €200 to €400, with higher values for copies that are especially pristine, numbered, or on special paper.
PHYSICAL DESCRIPTION AND CONDITION
Volume in a rigid illustrated editorial box. Coordinated editorial cover. Text printed on high-quality paper with ample margins. Illustrated by Lucien Boucher with polychrome woodcuts inserted in the text and on full pages. Box with some signs of use, hinges loosened. In old books with a multi-centennial history, a few imperfections may be present, not always noted in the description. Pp. (2); 214; 4nn; (4).
FULL TITLE AND AUTHOR
Éloge de la Folie.
Paris, Éditions Littéraires de France, 1946.
Érasme de Rotterdam. Illustrations en bois gravés de Lucien Boucher.
CONTEXT AND SIGNIFICANCE
Composed in 1509 during a stay with the friend Thomas More and first published in 1511, Erasmus’s In Praise of Folly represents one of the foundational works of European Humanism. Through a brilliant literary device, Folly itself speaks and praises itself, revealing how every aspect of human life is dominated by illusion, vanity, and self-deception. Behind the playful tone lies a profoundly critical view of the society of the time. Erasmus targets theologians, courtiers, politicians, monks, scholars, and even philosophers, showing how presumption and ignorance are often masked by wisdom and authority. The work exerted extraordinary influence on European thought, anticipating many Reformational themes and contributing to the birth of a new critical consciousness grounded in reason, doubt, and the observation of human nature.
BIOGRAPHY OF THE AUTHOR
Erasmus of Rotterdam (1466-1536) was the most important humanist of Renaissance Europe. A philologist, theologian, editor, and thinker, he dedicated his life to spreading classical and Christian culture through a program of moral reform based on the study of ancient sources. His critical edition of the Greek New Testament and his pedagogical and philosophical works deeply influenced European culture between the Renaissance and the Reformation.
BIOGRAPHY OF THE ILLUSTRATOR
Lucien Boucher (1889-1971) was one of the most famous French illustrators of the 20th century. Painter, engraver, advertising graphic designer, and editorial illustrator, he is best known for the renowned planispheres created for Air France. His works combine decorative elegance, symbolic fantasy, and refined historical culture, qualities that find perfect expression in the wood engravings made for Éloge de la Folie.
PRINTING HISTORY AND CIRCULATION
Elegant bibliographic edition printed by Imprimerie Nationale and completed on October 7, 1946 under the supervision of Georges Arnoul. Illustrated with original wood engravings by Lucien Boucher, it was published by Éditions Littéraires de France in a strictly limited edition of only 515 copies, distributed among sheets of different fine papers (vélin d'Arches and vélin de Rives). The deluxe copies included original drawings by the artist and special suites, confirming the highly bibliophilic nature of the edition. Today it represents one of the most sought-after illustrated French interpretations of Erasmus’s masterpiece in the post-war period.
BIBLIOGRAPHY AND REFERENCES
Allen, P. S., Opus Epistolarum Des. Erasmi Roterodami.
Huizinga, Johan, Erasmus and the Age of Reformation.
Bainton, Roland H., Erasmus of Christendom.
Bibliothèque nationale de France (BnF), Éloge de la Folie.
WorldCat, éditions illustrées de l'Éloge de la Folie.
Oxford University Library Catalogues, Erasmus editions.
British Library Catalogue, Erasmus, Moriae Encomium.
Bénézit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, voce "Lucien Boucher".
Library of Congress, Erasmus collections and illustrated editions.

