Giuseppe Simonelli (1650-1710), Seguace - La strage degli Innocenti






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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La strage degli Innocenti, oil on canvas from the seventeenth century, 236 x 132 cm, Italy, sold with frame.
Description from the seller
Author: Attributable to Giuseppe Simonelli (Naples, 1650 – 1710)
Dimensions: Canvas alone 213 x 114 cm; with frame 236 x 132 cm
Materials: Oil on canvas
An important large antique painting executed in oil on canvas, depicting the dramatic biblical episode of the Slaughter of the Innocents. The work stands out for a dynamic and monumental composition, characterized by a strong sense of movement and a skilled use of chiaroscuro.
The scene is articulated across multiple narrative registers: in the foreground the tragedy unfolds with figures interwoven in plastic and agitated poses, while in the background classical-looking architectures and a leaden sky frame the event. The color palette, played in brown and earthy tones heightened by sudden flashes of light, is typical of the great Baroque painting tradition.
Stylistically, the work can be traced to the hand of Giuseppe Simonelli, one of Luca Giordano's most able pupils. The painting technique and the anatomical rendering of the figures reflect the master's influence, while maintaining that peculiar chromatic sensibility that defines Simonelli's mature production in late 17th-century Naples.
The painting is presented within an imposing gold frame, either contemporary or in a similar style, which enhances its decorative and institutional significance. The period of execution can be placed between the late 17th century and the early 18th century.
The object presents in good overall condition, with signs of aging compatible with its age and the nature of the support.
Author: Attributable to Giuseppe Simonelli (Naples, 1650 – 1710)
Dimensions: Canvas alone 213 x 114 cm; with frame 236 x 132 cm
Materials: Oil on canvas
An important large antique painting executed in oil on canvas, depicting the dramatic biblical episode of the Slaughter of the Innocents. The work stands out for a dynamic and monumental composition, characterized by a strong sense of movement and a skilled use of chiaroscuro.
The scene is articulated across multiple narrative registers: in the foreground the tragedy unfolds with figures interwoven in plastic and agitated poses, while in the background classical-looking architectures and a leaden sky frame the event. The color palette, played in brown and earthy tones heightened by sudden flashes of light, is typical of the great Baroque painting tradition.
Stylistically, the work can be traced to the hand of Giuseppe Simonelli, one of Luca Giordano's most able pupils. The painting technique and the anatomical rendering of the figures reflect the master's influence, while maintaining that peculiar chromatic sensibility that defines Simonelli's mature production in late 17th-century Naples.
The painting is presented within an imposing gold frame, either contemporary or in a similar style, which enhances its decorative and institutional significance. The period of execution can be placed between the late 17th century and the early 18th century.
The object presents in good overall condition, with signs of aging compatible with its age and the nature of the support.
