Sergio Romero - Pulse Reactor

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Maurizio Buquicchio
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Selected by Maurizio Buquicchio

Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.

Gallery Estimate  € 800 - € 1,000
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Sergio Romero presents Pulse Reactor, an original acrylic painting (50 x 60 cm, 300 g) signed by hand, created in 2026 in Spain, sold directly by the artist and in excellent condition.

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Description from the seller

This work is part of a recent pictorial investigation in which automatic gesture, spatial structure, and symbolic repetition converge into a single visual language. Although at first glance they may seem impulsive or spontaneous, each arises from a process of observation and refinement derived from a much more architectural and precise previous work, developed over years through marker, linear drawing, and manual construction of space.

In this new series, that precision does not disappear: it transforms.

The line stops behaving solely as contour or structure and begins to act also as energy, rhythm, and physical expansion on the surface. The gesture is released, but an internal system of organization remains. Signs repeat, paths cross, tensions balance, and space is delimited by an invisible architecture that sustains the entire composition.

Each work functions as a moving mental map: layers of memory, impulses, journeys, and emotional structures that coexist within a single plane. The apparent chaos is traversed by conscious decisions about density, emptiness, balance, saturation, and visual direction.

The repetition of frames, orbits, nerve lines, and circular cores generates a grammar unique to the series. It is not about accident or pure automatism, but about an inquiry into how to translate thought, tension, and sensitivity into a contemporary pictorial script.

Acrylic paint here replaces part of the rigidity of technical drawing with a more bodily and physical presence. The work is no longer just constructed: it also happens. The stroke preserves the memory of movement, of time, and of direct gesture, always maintaining the same visual hallmark that defines the entire body of research.

These pieces oscillate between:

drawing and painting,

control and expansion,

architecture and automatism,

writing and abstraction.

The result is a series that proposes its own visual language, where gestural intensity coexists with a rigorous internal structure and where each composition acts as a direct extension of a mental, emotional, and spatial system in continual transformation.

This work is part of a recent pictorial investigation in which automatic gesture, spatial structure, and symbolic repetition converge into a single visual language. Although at first glance they may seem impulsive or spontaneous, each arises from a process of observation and refinement derived from a much more architectural and precise previous work, developed over years through marker, linear drawing, and manual construction of space.

In this new series, that precision does not disappear: it transforms.

The line stops behaving solely as contour or structure and begins to act also as energy, rhythm, and physical expansion on the surface. The gesture is released, but an internal system of organization remains. Signs repeat, paths cross, tensions balance, and space is delimited by an invisible architecture that sustains the entire composition.

Each work functions as a moving mental map: layers of memory, impulses, journeys, and emotional structures that coexist within a single plane. The apparent chaos is traversed by conscious decisions about density, emptiness, balance, saturation, and visual direction.

The repetition of frames, orbits, nerve lines, and circular cores generates a grammar unique to the series. It is not about accident or pure automatism, but about an inquiry into how to translate thought, tension, and sensitivity into a contemporary pictorial script.

Acrylic paint here replaces part of the rigidity of technical drawing with a more bodily and physical presence. The work is no longer just constructed: it also happens. The stroke preserves the memory of movement, of time, and of direct gesture, always maintaining the same visual hallmark that defines the entire body of research.

These pieces oscillate between:

drawing and painting,

control and expansion,

architecture and automatism,

writing and abstraction.

The result is a series that proposes its own visual language, where gestural intensity coexists with a rigorous internal structure and where each composition acts as a direct extension of a mental, emotional, and spatial system in continual transformation.

Details

Artist
Sergio Romero
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Pulse Reactor
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Year
2026
Condition
Excellent condition
Height
50 cm
Width
60 cm
Weight
300 g
Style
Abstract Expressionism
Period
2020+
SpainVerified
690
Objects sold
100%
protop

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