Apitel Gauna - Candelabrum El Escorial Monastery (2) - Ceramic





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Description from the seller
They are two candelabras that, even though they are children of the 70s, carry with them a nearly liturgical presence, as if they had been conceived for a space where light had a meaning deeper than mere function. From the monastery of El Escorial, they already come with a historical and symbolic load that distinguishes them, but furthermore their Scandinavian design —so purist, so attentive to the essential form— combines here with a clearly ceremonial intent.
The ceramic, worked with that soft warm pink glaze, rises in a conical body that opens into an upper cup where the interior of patented Apitel Gauna brass fits, a technical detail that not only guarantees durability, but also speaks of careful production, designed to withstand the continued use of the altar. On the frontal part, the relief adds identity: an almost architectural, rhythmic motif, that breaks the surface purity and gives it its own character, as if each piece told a small visual story.
The Scandinavian design of the 70s, when applied to liturgical objects, sought precisely this: sobriety, clean lines, honest materials and a balance between tradition and modernity. These candelabras are a perfect example of that philosophy. They do not compete with the space, they accompany it. They do not seek prominence, but they obtain it through the quality of their presence.
Regarding their exclusivity, there are several elements that reinforce it:
• Monastic provenance, which always adds historical and emotional value.
• Original liturgical use, implying that they are not mere decorative pieces, but objects with ritual function.
• Interior of patented brass, an indication of specialized fabrication rather than industrial production.
• Unique frontal relief, which differentiates them from mass-produced items and brings them closer to a designer piece.
• Scandinavian design applied to a Spanish context, an unusual and very attractive combination for collectors.
Together, they form a rare, elegant pair with a silent story behind them. They are pieces that not only illuminate, but tell where they come from.
Certified shipping and good packaging.
Seller's Story
They are two candelabras that, even though they are children of the 70s, carry with them a nearly liturgical presence, as if they had been conceived for a space where light had a meaning deeper than mere function. From the monastery of El Escorial, they already come with a historical and symbolic load that distinguishes them, but furthermore their Scandinavian design —so purist, so attentive to the essential form— combines here with a clearly ceremonial intent.
The ceramic, worked with that soft warm pink glaze, rises in a conical body that opens into an upper cup where the interior of patented Apitel Gauna brass fits, a technical detail that not only guarantees durability, but also speaks of careful production, designed to withstand the continued use of the altar. On the frontal part, the relief adds identity: an almost architectural, rhythmic motif, that breaks the surface purity and gives it its own character, as if each piece told a small visual story.
The Scandinavian design of the 70s, when applied to liturgical objects, sought precisely this: sobriety, clean lines, honest materials and a balance between tradition and modernity. These candelabras are a perfect example of that philosophy. They do not compete with the space, they accompany it. They do not seek prominence, but they obtain it through the quality of their presence.
Regarding their exclusivity, there are several elements that reinforce it:
• Monastic provenance, which always adds historical and emotional value.
• Original liturgical use, implying that they are not mere decorative pieces, but objects with ritual function.
• Interior of patented brass, an indication of specialized fabrication rather than industrial production.
• Unique frontal relief, which differentiates them from mass-produced items and brings them closer to a designer piece.
• Scandinavian design applied to a Spanish context, an unusual and very attractive combination for collectors.
Together, they form a rare, elegant pair with a silent story behind them. They are pieces that not only illuminate, but tell where they come from.
Certified shipping and good packaging.

