Harry Lips (1918-1979) - Onbekend (Maastricht?)






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Oil painting by Harry Lips (1918–1979), titled Onbekend (Maastricht?), created in 1942, an impressionist cityscape from the Netherlands, 70 cm by 90 cm, sold with frame and hand-signed, original edition.
Description from the seller
After his birthplace Rotterdam was largely destroyed by the bombing of 1940, Harry Lips (Rotterdam 1918 – Maastricht 1979) moves to Maastricht.
Together with two Rotterdam friends, Henk Sitskoorn and Jan Vink, he takes over a studio there. In 1942 he settles permanently in Maastricht. He builds his life there and paints the city, the people, his studio, his family, himself and he works on commissions.
In Maastricht Harry Lips comes into contact with the local artists there. He undergoes some influence from Charles Eyck, whom he admires and continues to follow. Harry Lips’s use of color becomes lighter and his painting style becomes more direct, especially in his landscapes. In Rotterdam he meets the artist Kees van Dongen in 1949. Traces of his later work can be found in portraits of Harry Lips.
In the fifties he regularly goes to Provence in the South of France to paint the landscape there. In Spain he paints the fishing life; the water and the boats continue to fascinate the Rotterdam-born painter. Later follow trips to, among others, Egypt and to the Spanish desert area of Abanilla. The entire body of his work bears witness to a love of painting. His intense perception of light and dark, of color and form, he captures through painting.
After his birthplace Rotterdam was largely destroyed by the bombing of 1940, Harry Lips (Rotterdam 1918 – Maastricht 1979) moves to Maastricht.
Together with two Rotterdam friends, Henk Sitskoorn and Jan Vink, he takes over a studio there. In 1942 he settles permanently in Maastricht. He builds his life there and paints the city, the people, his studio, his family, himself and he works on commissions.
In Maastricht Harry Lips comes into contact with the local artists there. He undergoes some influence from Charles Eyck, whom he admires and continues to follow. Harry Lips’s use of color becomes lighter and his painting style becomes more direct, especially in his landscapes. In Rotterdam he meets the artist Kees van Dongen in 1949. Traces of his later work can be found in portraits of Harry Lips.
In the fifties he regularly goes to Provence in the South of France to paint the landscape there. In Spain he paints the fishing life; the water and the boats continue to fascinate the Rotterdam-born painter. Later follow trips to, among others, Egypt and to the Spanish desert area of Abanilla. The entire body of his work bears witness to a love of painting. His intense perception of light and dark, of color and form, he captures through painting.
