Doni - Zucca del Doni - 1552
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Selected by Ilaria Colombo
Specialist in old books, specialising in theological disputes since 1999.
Estimate € 600 - € 1,000
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Description from the seller
SATIRE, PARADOXES AND MADNESS IN THE MOST ECCENTRIC LABORATORY OF ITALIAN RENAISSANCE
Rare Venetian edition of one of Anton Francesco Doni’s most original and extravagant works, a central figure in the Italian literary culture of the sixteenth century. I Frutti della Zucca constitutes the sixth and final part of the famous Zucca of Doni, a collection of dialogues, witticisms, moral reflections, literary inventions, and paradoxes that perfectly embody the author’s anticonformist spirit. Through lively and experimental prose, Doni builds a literary universe populated by bizarre characters, pointed observations, and intellectual games that in some ways anticipate Baroque literature. The work represents one of the most significant examples of Italian satirical and humorous narrative of the Renaissance.
MARKET VALUE
Original editions of Anton Francesco Doni’s works are sought after by Renaissance literature collectors as well as scholars of Venetian culture in the sixteenth century. The individual volumes of Zucca are noticeably less common than other works by the author, especially when kept separately. A copy of this edition can generally be valued in the range of € 700 to € 1,500, with higher quotations for especially fresh copies or those with significant provenance.
PHYSICAL DESCRIPTION AND CONDITION
Seventeenth-century paperbound binding with parchment backstrip. Three parts of Doni’s Zucca. Frontispiece within an architectural woodcut frame, portrait of Petrarch on the verso of the frontispiece, manuscript ink paragraph marks, woodcut printer’s mark on the verso of the last leaf. Frontispiece slightly trimmed at the lower margin; some physiological foxing. In old books, with a history of several centuries, a few imperfections may be present, not always noted in the description. Pp. (2); 174; (2).
FULL TITLE AND AUTHOR
Frutti della Zucca del Doni. Parte VI soltanto (di VI).
Vinegia, per Francesco Marcolini, 1552.
Anton Francesco Doni.
CONTEXT AND SIGNIFICANCE
Zucca constitutes one of the most singular creations of Italian literature in the sixteenth century. Through a loose and fragmentary structure, Doni collects tales, moral observations, social satires, dialogues, and erudite curiosities, offering an ironic and often caustic portrait of contemporary society. I Frutti della Zucca represent the conclusion of this vast literary project and distill its fundamental characteristics: a relish for paradox, critique of conventions, linguistic experimentation, and a perpetual oscillation between serious and playful. The work testifies to the extraordinary vitality of Venetian Renaissance culture and the central role played by Francesco Marcolini’s printing house in spreading new literary forms.
BIOGRAPHY OF THE AUTHOR
Anton Francesco Doni (1513–1574) was a writer, translator, publisher, and intellectual among the most original of the Italian Renaissance. Born in Florence, he mainly operated in Venice, where he frequented some of the leading cultural circles of the era. Famous for his polemical and anticonventional spirit, he published satirical works, dialogues, letter collections, and morally oriented texts. His output, characterized by constant formal experimentation, deeply influenced Italian literature between the sixteenth and seventeenth centuries.
PRINTING HISTORY AND CIRCULATION
The work was printed in 1552 by Francesco Marcolini, one of the most refined Venetian publishers of the Renaissance. I Frutti della Zucca constitutes the sixth and final book of the Zucca del Doni, published also separately from the entire collection. The different parts of the Zucca are today relatively rare on the market, especially when kept autonomously. The edition is valued also for its rich woodcut apparatus typical of Marcolinian productions.
BIBLIOGRAPHY AND REFERENCES
EDIT16 CNCE 17687.
ICCU / OPAC SBN, census of the Venice edition, Marcolini, 1552.
Mortimer, Harvard College Library, Italian 16th Century Books, no. 164 (related work).
Adams, Catalogue of Books Printed on the Continent of Europe, D-730.
British Library Catalogue, editions of Anton Francesco Doni.
Editoria Italiana del XVI Secolo (EDIT16), bibliographic card for the edition.
WorldCat, Frutti della Zucca del Doni.
Gamba, Serie dei Testi di Lingua, references to Doni’s works.
Graesse, Trésor de Livres Rares, II, p. 417.
Brunet, Manuel du Libraire, II, col. 742.
Seller's Story
Luxury Books: Your Go-To Guide for Nabbing Literary Treasures!
Embarking on the thrilling journey of collecting rare and timeless printed works? Here's your snappy rundown, "The Collector's Cheat Sheet," to ensure you're not just flipping pages but stacking up the value:
1. Edition and Rarity: Rarity is the name of the game. First editions, limited printings, and books flaunting unique features like eye-catching illustrations or mind-blowing bindings? Consider them the VIPs of the collector's world.
2. Condition & Dimension: Picture this – a book in mint condition, untouched by the woes of wear and tear. Now, flip the script: wear, foxing, discoloration – they're the villains here. And don't forget to size up the dimensions, because a book's size matters in the collector's universe.
3. Authenticity: In a world of replicas and forgeries, verifying a book's authenticity is your superhero move. Expert examination and authentication – your trusty sidekicks in this quest.
4. Provenance: Who owned it before you? If the book has hobnobbed with famous figures or danced through historical events, its value skyrockets. Every book has a story, but some have blockbuster tales.
5. Demand and Market Trends: Think of book values as the stock market of the literary world. Stay savvy on collector trends and market shifts to ride the waves of value.
6. Subject Matter: Some topics are like fine wine – they get better with time. Dive into subjects with a timeless appeal or ride the wave of emerging cultural and historical relevance.
7. Binding and Design: Beauty is more than skin deep. Intricate bindings, stunning covers, and illustrations – these are the accessories that make a book runway-ready in the collector's eyes.
8. Association Copies: Books with a personal touch – whether it's a connection to the author or a famous personality – elevate the historical vibes. A book with a backstory? Count us in.
9. Investment Potential: Passion is the engine, but some collectors eye future returns. Keep in mind, though, that the book market can be as unpredictable as a plot twist.
10. Expert Advice: New to the game? Don't play solo. Seek wisdom from the book gurus, hit up book fairs, and join collector communities. We at Luxury Books are the Yodas of the rare book galaxy, helping you build collections that scream sophistication and cultural clout.
Because collecting rare books isn't just about dollar signs – it's a journey of preserving heritage and embracing literary treasures. Happy collecting!
Translated by Google TranslateSATIRE, PARADOXES AND MADNESS IN THE MOST ECCENTRIC LABORATORY OF ITALIAN RENAISSANCE
Rare Venetian edition of one of Anton Francesco Doni’s most original and extravagant works, a central figure in the Italian literary culture of the sixteenth century. I Frutti della Zucca constitutes the sixth and final part of the famous Zucca of Doni, a collection of dialogues, witticisms, moral reflections, literary inventions, and paradoxes that perfectly embody the author’s anticonformist spirit. Through lively and experimental prose, Doni builds a literary universe populated by bizarre characters, pointed observations, and intellectual games that in some ways anticipate Baroque literature. The work represents one of the most significant examples of Italian satirical and humorous narrative of the Renaissance.
MARKET VALUE
Original editions of Anton Francesco Doni’s works are sought after by Renaissance literature collectors as well as scholars of Venetian culture in the sixteenth century. The individual volumes of Zucca are noticeably less common than other works by the author, especially when kept separately. A copy of this edition can generally be valued in the range of € 700 to € 1,500, with higher quotations for especially fresh copies or those with significant provenance.
PHYSICAL DESCRIPTION AND CONDITION
Seventeenth-century paperbound binding with parchment backstrip. Three parts of Doni’s Zucca. Frontispiece within an architectural woodcut frame, portrait of Petrarch on the verso of the frontispiece, manuscript ink paragraph marks, woodcut printer’s mark on the verso of the last leaf. Frontispiece slightly trimmed at the lower margin; some physiological foxing. In old books, with a history of several centuries, a few imperfections may be present, not always noted in the description. Pp. (2); 174; (2).
FULL TITLE AND AUTHOR
Frutti della Zucca del Doni. Parte VI soltanto (di VI).
Vinegia, per Francesco Marcolini, 1552.
Anton Francesco Doni.
CONTEXT AND SIGNIFICANCE
Zucca constitutes one of the most singular creations of Italian literature in the sixteenth century. Through a loose and fragmentary structure, Doni collects tales, moral observations, social satires, dialogues, and erudite curiosities, offering an ironic and often caustic portrait of contemporary society. I Frutti della Zucca represent the conclusion of this vast literary project and distill its fundamental characteristics: a relish for paradox, critique of conventions, linguistic experimentation, and a perpetual oscillation between serious and playful. The work testifies to the extraordinary vitality of Venetian Renaissance culture and the central role played by Francesco Marcolini’s printing house in spreading new literary forms.
BIOGRAPHY OF THE AUTHOR
Anton Francesco Doni (1513–1574) was a writer, translator, publisher, and intellectual among the most original of the Italian Renaissance. Born in Florence, he mainly operated in Venice, where he frequented some of the leading cultural circles of the era. Famous for his polemical and anticonventional spirit, he published satirical works, dialogues, letter collections, and morally oriented texts. His output, characterized by constant formal experimentation, deeply influenced Italian literature between the sixteenth and seventeenth centuries.
PRINTING HISTORY AND CIRCULATION
The work was printed in 1552 by Francesco Marcolini, one of the most refined Venetian publishers of the Renaissance. I Frutti della Zucca constitutes the sixth and final book of the Zucca del Doni, published also separately from the entire collection. The different parts of the Zucca are today relatively rare on the market, especially when kept autonomously. The edition is valued also for its rich woodcut apparatus typical of Marcolinian productions.
BIBLIOGRAPHY AND REFERENCES
EDIT16 CNCE 17687.
ICCU / OPAC SBN, census of the Venice edition, Marcolini, 1552.
Mortimer, Harvard College Library, Italian 16th Century Books, no. 164 (related work).
Adams, Catalogue of Books Printed on the Continent of Europe, D-730.
British Library Catalogue, editions of Anton Francesco Doni.
Editoria Italiana del XVI Secolo (EDIT16), bibliographic card for the edition.
WorldCat, Frutti della Zucca del Doni.
Gamba, Serie dei Testi di Lingua, references to Doni’s works.
Graesse, Trésor de Livres Rares, II, p. 417.
Brunet, Manuel du Libraire, II, col. 742.
Seller's Story
Luxury Books: Your Go-To Guide for Nabbing Literary Treasures!
Embarking on the thrilling journey of collecting rare and timeless printed works? Here's your snappy rundown, "The Collector's Cheat Sheet," to ensure you're not just flipping pages but stacking up the value:
1. Edition and Rarity: Rarity is the name of the game. First editions, limited printings, and books flaunting unique features like eye-catching illustrations or mind-blowing bindings? Consider them the VIPs of the collector's world.
2. Condition & Dimension: Picture this – a book in mint condition, untouched by the woes of wear and tear. Now, flip the script: wear, foxing, discoloration – they're the villains here. And don't forget to size up the dimensions, because a book's size matters in the collector's universe.
3. Authenticity: In a world of replicas and forgeries, verifying a book's authenticity is your superhero move. Expert examination and authentication – your trusty sidekicks in this quest.
4. Provenance: Who owned it before you? If the book has hobnobbed with famous figures or danced through historical events, its value skyrockets. Every book has a story, but some have blockbuster tales.
5. Demand and Market Trends: Think of book values as the stock market of the literary world. Stay savvy on collector trends and market shifts to ride the waves of value.
6. Subject Matter: Some topics are like fine wine – they get better with time. Dive into subjects with a timeless appeal or ride the wave of emerging cultural and historical relevance.
7. Binding and Design: Beauty is more than skin deep. Intricate bindings, stunning covers, and illustrations – these are the accessories that make a book runway-ready in the collector's eyes.
8. Association Copies: Books with a personal touch – whether it's a connection to the author or a famous personality – elevate the historical vibes. A book with a backstory? Count us in.
9. Investment Potential: Passion is the engine, but some collectors eye future returns. Keep in mind, though, that the book market can be as unpredictable as a plot twist.
10. Expert Advice: New to the game? Don't play solo. Seek wisdom from the book gurus, hit up book fairs, and join collector communities. We at Luxury Books are the Yodas of the rare book galaxy, helping you build collections that scream sophistication and cultural clout.
Because collecting rare books isn't just about dollar signs – it's a journey of preserving heritage and embracing literary treasures. Happy collecting!
Translated by Google TranslateDetails
Number of books
1
Subject
Literature
Book title
Zucca del Doni
Author/ Illustrator
Doni
Condition
Good
Publication year oldest item
1552
Height
152 mm
Edition
1st Edition Thus, Illustrated Edition
Width
105 mm
Language
Italian
Original language
Yes
Publisher
Vinegia, per Francesco Marcolini, 1552
Binding/ Material
Softback
Extras
Tipped in plates
Number of pages
178
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