Yuni R. P - Resplandor Silvestre





Add to your favourites to get an alert when the auction starts.

Owned an antiques and curio shop with a large international network.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 135253 reviews
Rated Excellent on Trustpilot.
Description from the seller
Painting by the artist Yuni R. P. in oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a perimetral white margin for easier mounting or framing.
The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid, high-strength cardboard tube, guaranteeing its perfect preservation during transport.
Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, the tool with which he builds compositions of great visual strength and marked expressiveness.
His painting is characterized by rich impasto, loose brushstrokes, and an intensely colorful palette, where light and movement constantly dialogue. In his Impressionist treatment, there is a clear influence from Joaquín Sorolla, especially in the way luminosity, dynamism, and the vibration of color are addressed, always from a contemporary and deeply personal perspective.
The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, ships’ sails, fauna, flowers, and evocative cities compose a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening intense feelings and latent memories in the viewer.
Yuni’s paintings possess a frontal and enveloping presence; they are works that must be contemplated in person, as photography cannot fully capture the richness of the impasto, the depth of the color, or the energy of the painterly gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.
His work is, in essence, a celebration of color, matter, and emotion: a painting that invites one to stop, observe, and feel.
The work presents itself as an exponent of Neo-Impressionism with expressionist nuances, where form is subordinate to the emotion of color. Executed with the oil technique, the artist uses an application of extreme impasto, probably through the use of spatulas and heavy-load brushes, which gives the foreground flowers an almost sculptural three-dimensionality. The composition is vibrant; it uses a warm palette of yellows and golds for the field and the sky, contrasting dynamically with the blue and pink accents of the flora. The painter seeks to convey a sense of euphoria and vital fullness, capturing the exact moment when the sunset light transforms the landscape into a dreamlike scene, suggesting that the beauty of nature is a tangible and energetic force that transcends simple observation.
Painting by the artist Yuni R. P. in oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a perimetral white margin for easier mounting or framing.
The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid, high-strength cardboard tube, guaranteeing its perfect preservation during transport.
Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, the tool with which he builds compositions of great visual strength and marked expressiveness.
His painting is characterized by rich impasto, loose brushstrokes, and an intensely colorful palette, where light and movement constantly dialogue. In his Impressionist treatment, there is a clear influence from Joaquín Sorolla, especially in the way luminosity, dynamism, and the vibration of color are addressed, always from a contemporary and deeply personal perspective.
The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, ships’ sails, fauna, flowers, and evocative cities compose a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening intense feelings and latent memories in the viewer.
Yuni’s paintings possess a frontal and enveloping presence; they are works that must be contemplated in person, as photography cannot fully capture the richness of the impasto, the depth of the color, or the energy of the painterly gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.
His work is, in essence, a celebration of color, matter, and emotion: a painting that invites one to stop, observe, and feel.
The work presents itself as an exponent of Neo-Impressionism with expressionist nuances, where form is subordinate to the emotion of color. Executed with the oil technique, the artist uses an application of extreme impasto, probably through the use of spatulas and heavy-load brushes, which gives the foreground flowers an almost sculptural three-dimensionality. The composition is vibrant; it uses a warm palette of yellows and golds for the field and the sky, contrasting dynamically with the blue and pink accents of the flora. The painter seeks to convey a sense of euphoria and vital fullness, capturing the exact moment when the sunset light transforms the landscape into a dreamlike scene, suggesting that the beauty of nature is a tangible and energetic force that transcends simple observation.
