Baptiste Laurent - Les Trois métamorphoses

03
days
14
hours
40
minutes
35
seconds
Current bid
€ 220
Reserve price not met
Giulia Resti
Expert
Gallery Estimate  € 2,500 - € 3,000
14 other people are watching this object
ES
€220
ES
€200
ES
€190

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 135881 reviews

Rated Excellent on Trustpilot.

Baptiste Laurent, Les Trois métamorphoses, 2015, marker on paper, original edition, 150 x 110 cm, signed by hand, Spain, period 2010–2020, sold by Galería.

AI-assisted summary

Description from the seller

"The Three Metamorphoses", 150x110cm, acrylic on paper, 2015.
Signed on back. Sold unframed, shipped rolled.

Bio artist/
Baptiste Laurent (1980, Nantes) is a visual artist who lives and works
in Madrid and Paris.
He has exhibited at various artistic and cultural institutions,
including the Institut français de Madrid, Le Palais de Tokyo, Galeria
La Caja, Esquina Nua, Espacio Seara, Gazzambo Gallery, Alliance
française, Museo Nacional de Antropología, Galeria FL.
His traditional medium is painting, but he also works in sculpture
and develops projects with a strong literary, social and
anthropological component.
In his latest publications and exhibitions, "Conversaciones y
puñetazos", "Mauvaises Tournures", "Bajo el Mismo Mar" and "Exit",
he has repeatedly experimented with collaborative creative work
with other visual artists and literary authors.
As an anti-academic and eclectic artist, he likes to syncretise
pictorial styles, oscillating between neo-figurative narrative, graphic
painting and expressionist abstraction.
Founder of the 'Latolier' shared studio in Madrid's Usera district, he
leads a dynamic community of Spanish and international visual
artists.

Ibere Nation Series: First obsession: filling the surface mechanically and cold with a basic work criterion. With a graphic element of the most elementary, a stroke with marker, from left to right, from top to bottom, until the lines cover the surface. The purpose is to fill everything, and the criterion is to do it in the least rigid way to reach a complete surface. The process is carried out with the greatest application, starting from an intuitive line, by freehand. No matter how careful it is. it leaves room for failure. Repeating until filling the frame, and assuming errors, allows me to enter a mental state that is particularly empty, but concentrated, or in a state of true scratch. Second obsession after a long and hard winter, between physical hibernation and intellectual boredom, what better for me than reading the speeches of Zarathustra down his mountain? Write them! The succession of letters and words without spaces turns out to be the most elementary graphic from to put in tune with my first obsession. Odd way to read Nietzsche writing it. Zarathustra’s speeches deserve to be read again and again as a parable told by the prophet. Thus spoke Zarathustra is also a parody of religious texts. Animal metaphors and the solemn speech of Zarathustra do not seem easy to understand in a first reading. But what is clear is that Nietzsche tries to present to the world a new ethic. In front of a world in crisis or asleep where God has died, and propose to man a way out of what anesthetized state, the opportunity to overcome that void by becoming a Superman. For me it turned out to be a very interesting exercise, both in the form that serves as a vehicle and in the content of the message. Emerged from an empty moment, in a long winter, of a Spain crisis, I found it tempting to put this series under the title Iberian Nation."

"The Three Metamorphoses", 150x110cm, acrylic on paper, 2015.
Signed on back. Sold unframed, shipped rolled.

Bio artist/
Baptiste Laurent (1980, Nantes) is a visual artist who lives and works
in Madrid and Paris.
He has exhibited at various artistic and cultural institutions,
including the Institut français de Madrid, Le Palais de Tokyo, Galeria
La Caja, Esquina Nua, Espacio Seara, Gazzambo Gallery, Alliance
française, Museo Nacional de Antropología, Galeria FL.
His traditional medium is painting, but he also works in sculpture
and develops projects with a strong literary, social and
anthropological component.
In his latest publications and exhibitions, "Conversaciones y
puñetazos", "Mauvaises Tournures", "Bajo el Mismo Mar" and "Exit",
he has repeatedly experimented with collaborative creative work
with other visual artists and literary authors.
As an anti-academic and eclectic artist, he likes to syncretise
pictorial styles, oscillating between neo-figurative narrative, graphic
painting and expressionist abstraction.
Founder of the 'Latolier' shared studio in Madrid's Usera district, he
leads a dynamic community of Spanish and international visual
artists.

Ibere Nation Series: First obsession: filling the surface mechanically and cold with a basic work criterion. With a graphic element of the most elementary, a stroke with marker, from left to right, from top to bottom, until the lines cover the surface. The purpose is to fill everything, and the criterion is to do it in the least rigid way to reach a complete surface. The process is carried out with the greatest application, starting from an intuitive line, by freehand. No matter how careful it is. it leaves room for failure. Repeating until filling the frame, and assuming errors, allows me to enter a mental state that is particularly empty, but concentrated, or in a state of true scratch. Second obsession after a long and hard winter, between physical hibernation and intellectual boredom, what better for me than reading the speeches of Zarathustra down his mountain? Write them! The succession of letters and words without spaces turns out to be the most elementary graphic from to put in tune with my first obsession. Odd way to read Nietzsche writing it. Zarathustra’s speeches deserve to be read again and again as a parable told by the prophet. Thus spoke Zarathustra is also a parody of religious texts. Animal metaphors and the solemn speech of Zarathustra do not seem easy to understand in a first reading. But what is clear is that Nietzsche tries to present to the world a new ethic. In front of a world in crisis or asleep where God has died, and propose to man a way out of what anesthetized state, the opportunity to overcome that void by becoming a Superman. For me it turned out to be a very interesting exercise, both in the form that serves as a vehicle and in the content of the message. Emerged from an empty moment, in a long winter, of a Spain crisis, I found it tempting to put this series under the title Iberian Nation."

Details

Artist
Baptiste Laurent
Sold with frame
No
Sold by
Gallery
Edition
Original
Title of artwork
Les Trois métamorphoses
Technique
Acrylic painting, Felt-tip pen
Signature
Hand signed
Country of origin
Spain
Year
2015
Condition
Good condition
Height
150 cm
Width
110 cm
Weight
3 kg
Depiction/theme
Animals
Style
Naive Art
Period
2010-2020
SpainVerified
37
Objects sold
100%
pro

Similar objects

For you in

Modern & Contemporary Art