Pablo Picasso (1881-1973) - L'Ecureuil - Eichhörnchen, 1907

Beautiful, expressive art print by Pablo Picasso in a 60 x 50 cm format, titled Squirrel. The work is a high-quality screen print on handmade paper and in very good condition.

- printed and published by Kunstverlag circa 1990-2020
- obtained directly from Kunstverlag
- since then professionally stored in a light-protected Grafiklager

Artist: Pablo Picasso
Title: Eichhörnchen (Squirrel)
Medium: Fine art print
Technique: Screen print on handmade paper
Originality: Reproduction
Sheet size: 60 x 50 cm
Condition: New, perfect condition
Origin: Kunstverlag
Era: Classical Modernism
Nationality: Spanish Art

Pablo Picasso:
Pablo Picasso, born October 25, 1881 in Málaga, Spain, and died April 8, 1973 in Mougins, France, was one of the most influential artists of the 20th century. As a co-founder of Cubism and creator of numerous revolutionary artworks, Picasso shaped modern art significantly. His versatility and innovative power extended across painting, sculpture, printmaking, ceramics, and stage design.

Picasso began his artistic training in La Coruña and Barcelona, before moving to Madrid and later to Paris. In Paris, then the center of the art world, he encountered the works of Paul Cézanne, Henri de Toulouse-Lautrec, and the Impressionists, whose influences are visible in his early works. Cézanne’s structural approach and the Impressions’ experimental use of color deeply influenced Picasso’s development. Cézanne’s Mont Sainte-Victoire and Toulouse-Lautrec’s At the Moulin Rouge influenced Picasso’s early artistic vision.

A major turning point in Picasso’s career was his Blue Period (1901-1904), characterized by melancholic themes and blue hues. These works, such as The Old Guitarist (1903), reflect emotional depth and expressiveness also found in the works of Vincent van Gogh and Edvard Munch. Van Gogh’s Starry Night and Munch’s The Scream show a similar intense emotional resonance. The Blue Period marked Picasso’s deep engagement with human existence and its suffering, similar to existential themes in Käthe Kollwitz’s works.

The decisive break with traditional representation came with the development of Cubism, which Picasso developed with Georges Braque from 1907. A key work of this period is Les Demoiselles d’Avignon (1907), which breaks the human figure into angular, geometric forms and paved the way for cubism. Cubism influenced many artists, including Fernand Léger and Juan Gris, who both became important representatives of this movement. Léger’s The City and Gris’s Portrait of Pablo Picasso are iconic Cubist works. Picasso’s and Braque’s works during this time also influenced artists like Robert Delaunay and Francis Picabia, who integrated Cubism into their own often colorful and dynamic styles.

In the 1920s, Picasso began to develop an interest in Surrealism and produced works inspired by dreams and the subconscious. This phase shows the influence of artists like Joan Miró and Salvador Dalí, whose surreal depictions of the unconscious and dream world parallel Picasso’s works. Miró’s Harlequin’s Carnival and Dalí’s The Persistence of Memory are iconic Surrealist works exploring similar themes and techniques. The works of Max Ernst and René Magritte, who emphasize the surreal and dreamlike, also show a kinship with Picasso’s surrealist experiments.

Picasso’s monumental work Guernica (1937) is a powerful political statement against war and destruction. The painting, which depicts the bombing of the town of Guernica during the Spanish Civil War, combines Cubist and Surrealist elements into a stark indictment of violence and oppression. This work sits in line with the politically engaged works of artists like Diego Rivera and José Clemente Orozco, whose murals also convey strong social and political messages. Rivera’s Man at the Crossroads and Orozco’s Prometheus are examples of art used as a tool for social and political commentary. Guernica also influenced artists like Francis Bacon, whose dark and distorted figures convey a similar intensity and emotion.

Throughout his career, Picasso repeatedly returned to traditional subjects such as portraits and still lifes, reinterpreting them in innovative ways. His portraits of Dora Maar and Marie-Thérèse Walter reveal deep psychological complexity and emotional intensity, reminiscent of the works by Egon Schiele and Gustav Klimt. Schiele’s Self-Portrait and Klimt’s Portrait of Adele Bloch-Bauer I offer insights into similar psychological and emotional depths. The use of color and form in these portraits shows parallels to the expressive and symbolic depictions of Frida Kahlo, whose self-portraits likewise delve deeply into her personal and emotional world.

In later years, Picasso continued to experiment with different styles and techniques. His works from the 1950s and 1960s, such as the series The Artists and the Model and the Las Meninas variations, show a continual search for new forms of expression and engagement with art history. These works dialogue with classical masters like Diego Velázquez and Rembrandt, whose works Picasso interpreted and developed in his own unique way. Velázquez’s Las Meninas and Rembrandt’s The Night Watch are iconic works that inspired Picasso’s later pieces. The interpretation of classical themes also appears in the works of David Hockney and Anselm Kiefer, who incorporate historical and artistic references into their contemporary works.

Picasso’s influence spans many generations of artists and movements. Artists such as David Hockney and Jasper Johns have incorporated elements of Picasso’s stylistic diversity and innovativeness into their own works. Hockney’s colorful and experimental landscapes and Johns’ iconic depictions of the American flag and numerals demonstrate the breadth of Picasso’s influence. Contemporary artists like Jeff Koons and Damien Hirst, known for their provocative and iconic works, also reference Picasso’s groundbreaking approaches. Koons’ Balloon Dog and Hirst’s The Physical Impossibility of Death in the Mind of Someone Living reflect the ongoing engagement with materiality and concept that Picasso anticipated in his various artistic phases.

In summary, Pablo Picasso remains a central figure in art history, whose influence spans numerous movements and generations of artists. His ability to fuse different styles and techniques and to continually explore new avenues of artistic expression makes him an inexhaustible source of inspiration for artists worldwide. From the Impressionists through the Cubists to the Surrealists and contemporary icons of the art world, Picasso has repeatedly redefined the boundaries of possibility and remains a living legacy in 21st-century art.

Shipping information:
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