0xec6d0 (XX-XXI) - À mes côtés - XXL






Over 10 years' experience in art trade and previously founded his own gallery.
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Original piece by a French anonymous artist titled À mes côtés - XXL, an abstract work in mixed media and pastel, 160 × 160 cm, signed and dated on the back, certificate of authenticity included, created in 2026, weighing 1 kg, sold direct from the artist.
Description from the seller
Dimensions: 160 × 160 cm
Approximately 150 × 160 cm once mounted on a frame.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — Art Brut and the Machine
No face.
0xec6d0 is a French anonymous artist, founder of Nouveau Brutalisme. His work explores territories that contemporary art rarely confronts: artificial intelligence, LLMs, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe in the process of losing its shape.
The artist deliberately withdraws. No face, no biographical cult: only the work must strike.
Each piece arises from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generación Botox, Sofia, 2024
- Reference value Akoun / ArtMajeur, 2026
Seller's Story
Dimensions: 160 × 160 cm
Approximately 150 × 160 cm once mounted on a frame.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — Art Brut and the Machine
No face.
0xec6d0 is a French anonymous artist, founder of Nouveau Brutalisme. His work explores territories that contemporary art rarely confronts: artificial intelligence, LLMs, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe in the process of losing its shape.
The artist deliberately withdraws. No face, no biographical cult: only the work must strike.
Each piece arises from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generación Botox, Sofia, 2024
- Reference value Akoun / ArtMajeur, 2026
