Luigi Rossanigo (1948) - Presenze





€40 | ||
|---|---|---|
€35 | ||
€30 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 136024 reviews
Rated Excellent on Trustpilot.
Luigi Rossanigo (1948), Presenze, mixed media on metal, limited edition 1/1 PdA, 2010, 32 × 23 cm, framed, Italy, hand-signed, in good condition.
Description from the seller
The proposed work is an embossed metal plaque (embossing done by my hand), artist's proof numbered 1/1, 30x21 cm, painted blue and white - signed on the plaque - with a frame 32x23x2 cm - a piece that suits any interior.
The work will be carefully packed and shipped within 3 days with authentication on a photo signed by the artist -- ready to hang or to rest on a surface --
Traceable and insured shipping - (unfortunately the photo never renders well)
For those who love the innovations of the 20th century refined in technique in the 2000s -- an intriguing and innovative work - not to be missed
…in the slow and steady unfolding of his search, Luigi Rossanigo has followed a particular artistic formation, characterized by various experiments across different disciplines. From the early painting experiences in which the subject was treated with direct reference to the real, the artist, in the first half of the 1970s, progressively moved toward an abstract conception of form, synthesized in a rapid and frank gesturality. This informal detour found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of the real, noted with the precision of an eighteenth-century traveler. While cultivating a fondness for the precious art of jewelry and approaching the sculptural environment of Carrara, the versatile artist felt the need to challenge himself with the volumetric definition of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the gilded ornament. This path led Rossanigo to modify the painting’s structural layout, moving toward the realization of tensile structures and polymeric compounds, a new dialectic in which the agreement between painting and sculpture took shape...
The proposed work is an embossed metal plaque (embossing done by my hand), artist's proof numbered 1/1, 30x21 cm, painted blue and white - signed on the plaque - with a frame 32x23x2 cm - a piece that suits any interior.
The work will be carefully packed and shipped within 3 days with authentication on a photo signed by the artist -- ready to hang or to rest on a surface --
Traceable and insured shipping - (unfortunately the photo never renders well)
For those who love the innovations of the 20th century refined in technique in the 2000s -- an intriguing and innovative work - not to be missed
…in the slow and steady unfolding of his search, Luigi Rossanigo has followed a particular artistic formation, characterized by various experiments across different disciplines. From the early painting experiences in which the subject was treated with direct reference to the real, the artist, in the first half of the 1970s, progressively moved toward an abstract conception of form, synthesized in a rapid and frank gesturality. This informal detour found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of the real, noted with the precision of an eighteenth-century traveler. While cultivating a fondness for the precious art of jewelry and approaching the sculptural environment of Carrara, the versatile artist felt the need to challenge himself with the volumetric definition of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the gilded ornament. This path led Rossanigo to modify the painting’s structural layout, moving toward the realization of tensile structures and polymeric compounds, a new dialectic in which the agreement between painting and sculpture took shape...

