Canvas Fit - Alberto Ricardo - : “Diosa de Ébano y Oro”

Artwork created on professional canvas using the giclée printing technique on canvas. Digital art using contemporary media and AI.

Artwork by Canvas Fit-Alberto Ricardo executed in the Giclée Printing technique on high-quality professional canvas, 100% cotton, highly resistant to handling and external agents from Eco Canvas Roma Glossy, satin finish.
We guarantee a durable product with visual quality.
Dimension of 60 x 80 cm of painting with 5 cm depth.
Limited edition 1/5.
On the back of the piece you will find the data about the work.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The artwork will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the artwork is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.

She closed her eyes not to sleep, but to reign from within. Her skin, of a deep, velvety blue, seemed to absorb the light of the very universe. The gold that covered her lips, eyelids, and the fabric crown wrapping her head was not makeup: it was symbol. It was sacred fire. It was history. In this giclée image of stunning visual power, the female figure emerges as an timeless goddess, suspended between art and the divine, between elegance and the cry of identity.

Her face slightly tilted backward, with a long neck held high like a column of dark marble, conveys not only beauty but an impassable temperament. There is no fragility in her expression, but a deep serenity born of the awareness of her own power. The closed eyes do not deny the world: they transcend it. It is as if she were listening to the ancestral echoes of her lineage, as if the gold on her face spoke for her.

The background, an expressive fusion of gray textures and metallic brushstrokes, functions as an extension of the sitter’s soul. The golden veins crossing the canvas vertically do more than frame her silhouette: they connect her to a symbolic dimension. The painting seems to decompose and reassemble around her, as if the universe folds before her presence.

The turban, carefully crafted and wrapped with ritual precision, is not merely an ornament. It is a crown. Each fold bears the memory of generations, of women who have borne the weight of history on their heads with the dignity of a queen. The metallic gold of the fabric reflects light as a declaration of identity, a silent hymn of pride and resilience.

The giclée technique used enhances every stroke and texture, evoking the richness of oil with photographic clarity and a depth that invites touch. Soft shadows trace the skin, while the gold highlights vibrate as if motion were paused. There is a harmonic tension between the figurative and the abstract, between aesthetic perfection and the spiritual force that underlies.

This work does not simply represent a woman. It is an icon, a contemporary totem that celebrates Black femininity from a place of power, beauty, and divinity. It is a visual manifesto that breaks stereotypes and restores to Africa its sacred and majestic dimension. Every detail in her face, every inch of light, speaks of respect, of heritage, and of assertion.

And so, with eyes closed and the soul alight, the Goddess of Ebony and Gold remains. She does not need to speak. Her silence is art. Her presence, revolution.