Fabián Martínez Barrero - Leaving Havana






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Description from the seller
Fabián Martínez Barrero
Biography and work review for sales catalog
Biography
Fabián Martínez Barrero (Santiago de Cuba, 1975) is a Cuban artist based in Spain. He began his artistic studies in his hometown, Santiago de Cuba, and later completed his training at the Instituto Superior de Arte (I.S.A.) in Havana, one of the most relevant academic institutions in Cuban art education.
From the beginnings, painting, drawing, comics, graffiti and design have been fundamental expressive resources in the development of his work. His visual language feeds on popular culture, urban memory and the graphic codes that marked his childhood, giving rise to a production with strong Caribbean identity and contemporary character.
In the Pop Cars series, the artist establishes a direct link with his childhood memories and the visual imaginary of Cuba. The presence of the classic car, turned into a daily island icon, functions as a symbol of permanence, resilience and transformation. In this search there is also an affectionate and artistic reference to maestro Raúl Martínez García, an essential figure in Cuban art and a pioneer of Pop Art in Cuba during the seventies.
Martínez Banero’s work is part of private collections, universities and institutions in Spain, Cuba, the United States and Lebanon. He continues actively developing his artistic work in the city of Granada, Spain.
Review of the work / Pop Cars Series
The Pop Cars series is a tribute to Cuba and its visual memory. In it, the classic cars from the fifties and sixties appear as protagonists of a scene frozen in time, yet still full of color, movement and life. These cars, more than mere vintage objects, are witnesses to a glorious and complex era; vehicles that have survived the passage of decades and that continue to be part of the island’s emotional and cultural landscape.
The artist uses the old car as a metaphor for resilience and survival. Its shapes, colors and presence evoke a persistent Cuba, capable of turning scarcity into ingenuity and nostalgia into identity. Each vehicle thus becomes a work of art, a symbol of collective memory and a recognizable icon of universal culture.
From an aesthetic close to Pop Art, Martínez Banero combines references to comics, graffiti and graphic design to build a vibrant and contemporary image. The result is a work that dialogues with Cuban artistic tradition, but also with the global visual language of urban art and popular culture.
This piece, belonging to the Pop Cars series, offers the collector a bright, nostalgic look at Cuba: a work loaded with history, identity and visual energy, ideal for those seeking a painting with decorative force, cultural background and a deeply personal character.
Information for the collector
The work is an original creation entirely handmade by the artist Fabián Martínez Barrero. It is hand-signed and accompanied by its corresponding Certificate of Authenticity, guaranteeing its provenance and originality.
To ensure maximum safety during international transport, the artwork is carefully shipped rolled in a rigid professional-protection tube. All shipments include transport insurance and tracking number, allowing the buyer to know at all times the status and location of their purchase until final delivery.
Each piece represents a unique expression of the artist’s creative universe and constitutes an opportunity to add an original work linked to contemporary Cuban visual tradition to a collection.
Fabián Martínez Barrero
Biography and work review for sales catalog
Biography
Fabián Martínez Barrero (Santiago de Cuba, 1975) is a Cuban artist based in Spain. He began his artistic studies in his hometown, Santiago de Cuba, and later completed his training at the Instituto Superior de Arte (I.S.A.) in Havana, one of the most relevant academic institutions in Cuban art education.
From the beginnings, painting, drawing, comics, graffiti and design have been fundamental expressive resources in the development of his work. His visual language feeds on popular culture, urban memory and the graphic codes that marked his childhood, giving rise to a production with strong Caribbean identity and contemporary character.
In the Pop Cars series, the artist establishes a direct link with his childhood memories and the visual imaginary of Cuba. The presence of the classic car, turned into a daily island icon, functions as a symbol of permanence, resilience and transformation. In this search there is also an affectionate and artistic reference to maestro Raúl Martínez García, an essential figure in Cuban art and a pioneer of Pop Art in Cuba during the seventies.
Martínez Banero’s work is part of private collections, universities and institutions in Spain, Cuba, the United States and Lebanon. He continues actively developing his artistic work in the city of Granada, Spain.
Review of the work / Pop Cars Series
The Pop Cars series is a tribute to Cuba and its visual memory. In it, the classic cars from the fifties and sixties appear as protagonists of a scene frozen in time, yet still full of color, movement and life. These cars, more than mere vintage objects, are witnesses to a glorious and complex era; vehicles that have survived the passage of decades and that continue to be part of the island’s emotional and cultural landscape.
The artist uses the old car as a metaphor for resilience and survival. Its shapes, colors and presence evoke a persistent Cuba, capable of turning scarcity into ingenuity and nostalgia into identity. Each vehicle thus becomes a work of art, a symbol of collective memory and a recognizable icon of universal culture.
From an aesthetic close to Pop Art, Martínez Banero combines references to comics, graffiti and graphic design to build a vibrant and contemporary image. The result is a work that dialogues with Cuban artistic tradition, but also with the global visual language of urban art and popular culture.
This piece, belonging to the Pop Cars series, offers the collector a bright, nostalgic look at Cuba: a work loaded with history, identity and visual energy, ideal for those seeking a painting with decorative force, cultural background and a deeply personal character.
Information for the collector
The work is an original creation entirely handmade by the artist Fabián Martínez Barrero. It is hand-signed and accompanied by its corresponding Certificate of Authenticity, guaranteeing its provenance and originality.
To ensure maximum safety during international transport, the artwork is carefully shipped rolled in a rigid professional-protection tube. All shipments include transport insurance and tracking number, allowing the buyer to know at all times the status and location of their purchase until final delivery.
Each piece represents a unique expression of the artist’s creative universe and constitutes an opportunity to add an original work linked to contemporary Cuban visual tradition to a collection.
