Alessandro Kokocinski (1948-2017) - Senza titolo





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Alessandro Kokocinski, Senza titolo, a female portrait in mixed media on cardboard, signed, original edition, created between 1993 and 1999, 61 cm high and 46 cm wide, weighing about 2.6 kg, provenance directly from the artist.
Description from the seller
Alessandro Kokocinski (1948-2017) - Untitled (Female Portrait) - Mixed media on cardboard - the 1990s - Direct provenance from the artist.
Mixed media on cardboard, hand-signed lower left.
Elegant and intense composition depicting a female face, executed with the loose and expressive stroke that characterizes Kokocinski's work in the 1990s. The piece features a refined combination of ink, charcoal, and light color washes, with a strong poetic and visionary element typical of the artist's language.
Original unique work created between 1993 and 1999.
The work comes directly from the owner's family: it was personally donated by the artist who was connected by a friendship with the current owner's father. There is no certificate of authenticity, but the provenance is direct.
In good overall condition, already housed in an elegant wooden frame with a mat.
The protective backing paper on the reverse shows normal signs of aging and some tears due to age, without compromising the integrity and preservation of the work.
Alessandro Kokocinski (1948-2017) - Untitled (Female Portrait) - Mixed media on cardboard - the 1990s - Direct provenance from the artist.
Mixed media on cardboard, hand-signed lower left.
Elegant and intense composition depicting a female face, executed with the loose and expressive stroke that characterizes Kokocinski's work in the 1990s. The piece features a refined combination of ink, charcoal, and light color washes, with a strong poetic and visionary element typical of the artist's language.
Original unique work created between 1993 and 1999.
The work comes directly from the owner's family: it was personally donated by the artist who was connected by a friendship with the current owner's father. There is no certificate of authenticity, but the provenance is direct.
In good overall condition, already housed in an elegant wooden frame with a mat.
The protective backing paper on the reverse shows normal signs of aging and some tears due to age, without compromising the integrity and preservation of the work.

