Trevisan Carlo - Orange





€80 | ||
|---|---|---|
€75 | ||
€70 | ||
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Oil painting Orange by Carlo Trevisan (2025), original edition, 50 × 50 cm, 1000 g, still life in Surrealism, signed by hand, produced in Italy, sold directly from the artist, in excellent condition.
Description from the seller
In "Orange," the artist performs an operation of deconstruction and celebration of still life through a truly hyperrealistic and geometric lens.
The element that immediately captures the eye is the radical, Caravaggian contrast between the subject and the background.
The citrus fruits are immersed in absolute darkness, a black, opaque void that erases any spatial or temporal reference.
This choice isolates the subject, elevating simple oranges into monumental icons.
The composition unfolds along a horizontal axis, orchestrated through a prudent game of interlocks.
In the background one senses the roundness of a whole fruit, which serves as a volumetric pivot for a series of sliced elements in the foreground (perfect halves and segments).
The repetition of the white segments of the albedo (the inner part of the rind) creates an almost hypnotic graphic rhythm, similar to a series of rays or to a natural geometric diagram.
The light, coming from the left, strikes the citrus pulp, making it vibrate. The artist demonstrates notable technical skill in rendering textures: the rough porosity of the outer rind contrasts sharply with the almost glassy, watery sheen of the individual juice vesicles, highlighted by microscopic touches of pure white that simulate the light reflection.
The cast shadows on the supporting surface are sharp, short, and dense, indicating an artificial and direct light source, which heightens the three-dimensionality of the fruits, making them almost “emerge” physically from the canvas toward the viewer.
It is not only the representation of a fruit, but a reflection on the geometric beauty hidden within organic matter.
In "Orange," the artist performs an operation of deconstruction and celebration of still life through a truly hyperrealistic and geometric lens.
The element that immediately captures the eye is the radical, Caravaggian contrast between the subject and the background.
The citrus fruits are immersed in absolute darkness, a black, opaque void that erases any spatial or temporal reference.
This choice isolates the subject, elevating simple oranges into monumental icons.
The composition unfolds along a horizontal axis, orchestrated through a prudent game of interlocks.
In the background one senses the roundness of a whole fruit, which serves as a volumetric pivot for a series of sliced elements in the foreground (perfect halves and segments).
The repetition of the white segments of the albedo (the inner part of the rind) creates an almost hypnotic graphic rhythm, similar to a series of rays or to a natural geometric diagram.
The light, coming from the left, strikes the citrus pulp, making it vibrate. The artist demonstrates notable technical skill in rendering textures: the rough porosity of the outer rind contrasts sharply with the almost glassy, watery sheen of the individual juice vesicles, highlighted by microscopic touches of pure white that simulate the light reflection.
The cast shadows on the supporting surface are sharp, short, and dense, indicating an artificial and direct light source, which heightens the three-dimensionality of the fruits, making them almost “emerge” physically from the canvas toward the viewer.
It is not only the representation of a fruit, but a reflection on the geometric beauty hidden within organic matter.

