Markus Hoffmann-Achenbach - harte landung.





€135 | ||
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€125 | ||
€115 | ||
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Description from the seller
Artist: Markus Hoffmann-Achenbach
Title: fallen angel. (From the series Heaven and Hell)
Dimensions: 120 cm x 40 cm x 2 cm
Material: Acrylic, collage on canvas
Premium neon acrylic paints, daylight-activated, but also in UV light they have very high luminosity.
Signature: With date and title on the reverse
Certificate of authenticity: included
The series "Heaven and Hell" by Markus Hoffmann-Achenbach is a visual renegotiation of John Milton's epochal epic Paradise Lost—not as illustration, but as an existential continuation. While Milton captured the cosmic fall of Lucifer, the loss of paradise, and the ambivalence of free will in language, Hoffmann-Achenbach translates these questions into a contemporary visual language of extraordinary emotional and symbolic density.
The series deliberately moves within the tension between transcendence and corporeality, order and chaos, guilt and insight. Heaven and Hell appear not as fixed places, but as inner states of the human — fluid, unstable, capable of tipping into each other at any moment. It is precisely here that Hoffmann-Achenbach begins and makes Milton’s dictum "The mind is its own place, and in itself can make a heaven of hell, a hell of heaven" the guiding visual principle.
The works of the series are characterized by layered image spaces: acrylic, collage elements, fragmented figuration, and symbolic signs overlaying one another. Light passages — often in bright, almost otherworldly fields of color — stand in radical contrast to dark, eruptive zones. This polarity creates a permanent tension that forces the viewer not only to look at the image but to experience it.
This series marks a conceptual peak in Markus Hoffmann-Achenbach’s oeuvre. It combines literary depth, art-historical references, and a distinctive contemporary visual language. For collectors, the works are particularly attractive, as they function both as strong autonomous pieces individually and, in the context of a series, unfold an epic, almost museal effect.
"Heaven and Hell" is not a series for casual viewing — but for collectors who regard art as a spiritual challenge and a long-term investment.
Artist: Markus Hoffmann-Achenbach
Title: fallen angel. (From the series Heaven and Hell)
Dimensions: 120 cm x 40 cm x 2 cm
Material: Acrylic, collage on canvas
Premium neon acrylic paints, daylight-activated, but also in UV light they have very high luminosity.
Signature: With date and title on the reverse
Certificate of authenticity: included
The series "Heaven and Hell" by Markus Hoffmann-Achenbach is a visual renegotiation of John Milton's epochal epic Paradise Lost—not as illustration, but as an existential continuation. While Milton captured the cosmic fall of Lucifer, the loss of paradise, and the ambivalence of free will in language, Hoffmann-Achenbach translates these questions into a contemporary visual language of extraordinary emotional and symbolic density.
The series deliberately moves within the tension between transcendence and corporeality, order and chaos, guilt and insight. Heaven and Hell appear not as fixed places, but as inner states of the human — fluid, unstable, capable of tipping into each other at any moment. It is precisely here that Hoffmann-Achenbach begins and makes Milton’s dictum "The mind is its own place, and in itself can make a heaven of hell, a hell of heaven" the guiding visual principle.
The works of the series are characterized by layered image spaces: acrylic, collage elements, fragmented figuration, and symbolic signs overlaying one another. Light passages — often in bright, almost otherworldly fields of color — stand in radical contrast to dark, eruptive zones. This polarity creates a permanent tension that forces the viewer not only to look at the image but to experience it.
This series marks a conceptual peak in Markus Hoffmann-Achenbach’s oeuvre. It combines literary depth, art-historical references, and a distinctive contemporary visual language. For collectors, the works are particularly attractive, as they function both as strong autonomous pieces individually and, in the context of a series, unfold an epic, almost museal effect.
"Heaven and Hell" is not a series for casual viewing — but for collectors who regard art as a spiritual challenge and a long-term investment.

