Yuni R. P - París bajo el Ámbar

Painting by the artist Yuni R. P in the technique of oil on canvas, worked entirely with a spatula.
Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a surrounding white border for easier mounting or framing.

The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high‑strength cardboard tube, guaranteeing its perfect conservation during transport.

Yuni R. P is a young artist with solid professional training who lives and works today in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual force and marked expressiveness.

His painting is characterized by a rich impasto, loose strokes and a palette intensely colored, where light and movement constantly dialogue. In his impressionist approach, there is a clear influence of Joaquín Sorolla, especially in the way he tackles luminosity, dynamism and the vibration of color, always from a contemporary and deeply personal perspective.

The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, sailing ships, fauna, flowers and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening intense feelings and latent memories in the viewer.

Yuni's paintings possess a frontal and enveloping presence; they are works that must be contemplated in person, as photography cannot fully capture the richness of the impasto, the depth of color, nor the energy of the painting gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement and an almost tactile expressiveness.

His work is, in essence, a celebration of color, matter and emotion: a painting that invites stopping, observing and feeling.

This work, executed with oil on canvas, is a contemporary exponent of the neo-Impressionist style with a marked use of the spatula. The artist uses a warm color palette —predominantly ochres, siennas and yellow highlights— that harmoniously contrast with the violet tones of the sky, achieving an atmosphere of the golden hour after rain. The technique is characterized by a material and impasto brushstroke, where the texture not only defines shapes but also adds volume and dynamism to the reflections on the wet pavement. Through this composition, the painter seeks to convey a cozy nostalgia and urban romance, transforming a daily scene of the French capital into a suspended moment where light and moisture act as emotional filters for the viewer.