Antonio Sciacca (1957) - Rembrandt contaminato - XL format






Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.
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Antonio Sciacca's oil on canvas titled 'Rembrandt contaminato', dated 2003, 140 cm by 100 cm, in original edition, Caravaggisti style, oil technique, country of origin Italy, signed by hand, in excellent condition, sold by Galleria.
Description from the seller
The painting presented here, “Rembrandt Contaminated,” by Antonio Sciacca, is from 2003, measuring 140 cm by 100 cm, oil on canvas. Signed bottom right. Complete with authentication and certificate.
“Rembrandt Contaminated” is a unique work by the artist Antonio Sciacca, an exponent of the metropolism movement. The painting, presented by several art critics at different events, measures 140 by 100 cm and is executed with oil on canvas.
The subject of the work is a self-portrait inspired by the great Baroque master Rembrandt van Rijn. However, Sciacca introduces an element of contamination, symbolized by blue droplets that appear on the canvas. These drops represent contamination, uniting the work with the metropoliste current, which is characterized by the fusion of classical elements with contemporary concepts.
The masterful use of light and shadow recalls Rembrandt’s style, but the presence of the blue droplets creates a visual and conceptual contrast, suggesting a dialogue between the past and the present, tradition and modernity. This contrast invites the viewer to reflect on the evolution of art and the mutual influence of different artistic currents.
The work is of notable collectible interest and stands out for its rarity in the market of Antonio Sciacca’s metropoliste works, making it a sound investment for collectors and art enthusiasts.
Sciacca employs a traditional painting technique, applying layers of oil on canvas to achieve depth and chromatic richness that evoke Rembrandt’s work. The blue droplets, applied with precision, seem to float above the surface of the painting, creating an additional dimension and a visual tension that draws in and intrigues the observer.
The insertion of the blue droplets is not merely a visual element, but a symbol of cultural and artistic contamination. Sciacca invites the public to reflect on how modern influences can enrich and transform classical art. This contamination is not seen negatively but as a necessary metamorphosis to keep art alive and relevant in the contemporary context.
This work has been presented by several contemporary art critics in prestigious contexts that emphasize the importance and recognition of Sciacca’s work in the contemporary art scene. The certified provenance and the authenticity of the work add value and reliability, making it a sought-after piece for collectors.
Seller's Story
The painting presented here, “Rembrandt Contaminated,” by Antonio Sciacca, is from 2003, measuring 140 cm by 100 cm, oil on canvas. Signed bottom right. Complete with authentication and certificate.
“Rembrandt Contaminated” is a unique work by the artist Antonio Sciacca, an exponent of the metropolism movement. The painting, presented by several art critics at different events, measures 140 by 100 cm and is executed with oil on canvas.
The subject of the work is a self-portrait inspired by the great Baroque master Rembrandt van Rijn. However, Sciacca introduces an element of contamination, symbolized by blue droplets that appear on the canvas. These drops represent contamination, uniting the work with the metropoliste current, which is characterized by the fusion of classical elements with contemporary concepts.
The masterful use of light and shadow recalls Rembrandt’s style, but the presence of the blue droplets creates a visual and conceptual contrast, suggesting a dialogue between the past and the present, tradition and modernity. This contrast invites the viewer to reflect on the evolution of art and the mutual influence of different artistic currents.
The work is of notable collectible interest and stands out for its rarity in the market of Antonio Sciacca’s metropoliste works, making it a sound investment for collectors and art enthusiasts.
Sciacca employs a traditional painting technique, applying layers of oil on canvas to achieve depth and chromatic richness that evoke Rembrandt’s work. The blue droplets, applied with precision, seem to float above the surface of the painting, creating an additional dimension and a visual tension that draws in and intrigues the observer.
The insertion of the blue droplets is not merely a visual element, but a symbol of cultural and artistic contamination. Sciacca invites the public to reflect on how modern influences can enrich and transform classical art. This contamination is not seen negatively but as a necessary metamorphosis to keep art alive and relevant in the contemporary context.
This work has been presented by several contemporary art critics in prestigious contexts that emphasize the importance and recognition of Sciacca’s work in the contemporary art scene. The certified provenance and the authenticity of the work add value and reliability, making it a sought-after piece for collectors.
