Antonio Lavorgna - Il Volo Negato






Over 10 years' experience in art trade and previously founded his own gallery.
€80 | ||
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€75 | ||
€70 | ||
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Antonio Lavorgna's sculpture Il Volo Negato (2010) is a ferro cut by plasma with oxidized surfaces fixed with wax, part of the Linea Plasma edition, measuring 39 cm wide by 50 cm high by 18 cm deep, unsigned and in excellent condition.
Description from the seller
🜂 TITLE
Fragment 04 — The Denied Flight
🜃 TECHNICAL DATA
Artist: Antonio Lavorgna
Title: The Denied Flight
Technique: Plasma-cut iron, controlled oxidation (hydrogen peroxide), wax fixation
Year: 2010
Dimensions:
Base: 20 × 10.5 cm
Height: 50 cm
Width: 39 cm
Condition: Excellent
Signature: unsigned with certificate of authenticity
🜁 DESCRIPTION
This sculpture does not merely represent a rooster.
It is the form of a tension.
Made of plasma-cut iron and oxidized, the work bears on its surface the signs of time and transformation. The oxidation, achieved with hydrogen peroxide and fixed with wax, is not decoration but a process: a material that evolves and is halted in its passage.
The rooster, a symbol of energy and momentum, here confronts the limit.
The wings suggest flight, but the structure restrains it.
The weight at the base becomes a metaphor: the human condition suspended between possibility and inability to act.
The work sits within the language of transavant-garde, where gesture and symbol return to dialog with matter, but in a contemporary, conceptual key.
It is not a decorative object.
It is a fragment of existential tension made into form.
🜂 TITLE
Fragment 04 — The Denied Flight
🜃 TECHNICAL DATA
Artist: Antonio Lavorgna
Title: The Denied Flight
Technique: Plasma-cut iron, controlled oxidation (hydrogen peroxide), wax fixation
Year: 2010
Dimensions:
Base: 20 × 10.5 cm
Height: 50 cm
Width: 39 cm
Condition: Excellent
Signature: unsigned with certificate of authenticity
🜁 DESCRIPTION
This sculpture does not merely represent a rooster.
It is the form of a tension.
Made of plasma-cut iron and oxidized, the work bears on its surface the signs of time and transformation. The oxidation, achieved with hydrogen peroxide and fixed with wax, is not decoration but a process: a material that evolves and is halted in its passage.
The rooster, a symbol of energy and momentum, here confronts the limit.
The wings suggest flight, but the structure restrains it.
The weight at the base becomes a metaphor: the human condition suspended between possibility and inability to act.
The work sits within the language of transavant-garde, where gesture and symbol return to dialog with matter, but in a contemporary, conceptual key.
It is not a decorative object.
It is a fragment of existential tension made into form.
