Jean-Guy Caumeil (1945–2018) - Céline au cube 6






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
€15 | ||
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€10 | ||
€9 | ||
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Description from the seller
The proposed photograph is titled "Céline in the Cube 6".
It is a fine art print on professional Fujifilm Museum Crystal DP II photo paper.
Dimensions 30/45 without margin.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print freshly made in the workshop.
Studio du Trident, 1 rue Vial 42000 Saint-Étienne, France
The certificate of authenticity will be sent by email
Jean-Guy Caumeil, photographer, still living, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style that he describes as minimalist; little or no setting or props, the essential is in the capture of an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning that the viewer will give to the photo themselves. The photograph is not a story or a predetermined meaning shown. The photograph tells nothing, does not advocate, does not deliver a message, does not impose a point of view. The photograph is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The work of light is crucial to him as is the rapport with the model. In this minimalist vein, he began in 2015 a long-standing, non-exclusive collaboration with a single model.
The proposed photograph is titled "Céline in the Cube 6".
It is a fine art print on professional Fujifilm Museum Crystal DP II photo paper.
Dimensions 30/45 without margin.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print freshly made in the workshop.
Studio du Trident, 1 rue Vial 42000 Saint-Étienne, France
The certificate of authenticity will be sent by email
Jean-Guy Caumeil, photographer, still living, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style that he describes as minimalist; little or no setting or props, the essential is in the capture of an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning that the viewer will give to the photo themselves. The photograph is not a story or a predetermined meaning shown. The photograph tells nothing, does not advocate, does not deliver a message, does not impose a point of view. The photograph is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The work of light is crucial to him as is the rapport with the model. In this minimalist vein, he began in 2015 a long-standing, non-exclusive collaboration with a single model.
