Icon - Leather and wood - Coptic, Ethiopia






Has 20 years of experience trading curios, including 15 years with a leading French dealer.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 136274 reviews
Rated Excellent on Trustpilot.
Description from the seller
This icon (in Amharic: አዶ or ādo) is an example of ecclesiastical craftsmanship from the 20th century. It is entirely handmade. The icon has a book form and is made of leather, paper, wood and pigments, with blind stamps on the cover. Very beautifully detailed. The icon was acquired in situ and was owned by an apprentice priest in the holy place Lalibela, Ethiopia.
Since the fourth century, Ethiopia has a Christian tradition. Within this tradition Ethiopian art was born. Ethiopian churches are decorated with wall inscriptions and icons. In addition, holy scriptures are decorated with miniatures. Illiterate believers gained access to the stories of the Bible through visually depicted representations. The portrayal of the story is, in terms of importance, of primary significance. Therefore, representations are more focused on the expression of the story than on a realistic rendering. Later in the development of Ethiopian painting, details receive more attention and representations sometimes became more realistic.
Seller's Story
This icon (in Amharic: አዶ or ādo) is an example of ecclesiastical craftsmanship from the 20th century. It is entirely handmade. The icon has a book form and is made of leather, paper, wood and pigments, with blind stamps on the cover. Very beautifully detailed. The icon was acquired in situ and was owned by an apprentice priest in the holy place Lalibela, Ethiopia.
Since the fourth century, Ethiopia has a Christian tradition. Within this tradition Ethiopian art was born. Ethiopian churches are decorated with wall inscriptions and icons. In addition, holy scriptures are decorated with miniatures. Illiterate believers gained access to the stories of the Bible through visually depicted representations. The portrayal of the story is, in terms of importance, of primary significance. Therefore, representations are more focused on the expression of the story than on a realistic rendering. Later in the development of Ethiopian painting, details receive more attention and representations sometimes became more realistic.
