Cesare Frugiuele - Piet





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Cesare Frugiuele presents Piet, a 2022 original acrylic diptych on cardboard in two pieces (35×50 cm each, not joined), signed and in excellent condition, Italy, sold directly by the artist, with overall dimensions 50 cm high by 70 cm wide and weighing 500 g.
Description from the seller
Author: CESARE FRUGIUELE - Italy
Title: "Piet." - 2022
Diptych in acrylic on cardboard, composed of
two pieces of 35x50 cm, not joined and to be framed with glass protection.
With Certificate of Authenticity.
Visit my site:
www.artepassionedivita.com
Discovering art at the age of thirteen, self-taught, almost by chance, was a unique, exciting experience.
Even today, sixty years later, I relive it as then.
From the start, I instinctively nurtured a genuine passion for drawing and painting.
Over the years, I have come to appreciate figurative art and the measured tendency toward abstraction,
admiring the work of the “Greats” and constantly focusing on the chromatic aspect as the protagonist.
Then, as the natural evolution of intimate artistic research dictates, interest shifts toward new influences, new techniques.
The personal contribution transforms, becomes more intimate and reworked, at times positively conditioned also by the primordial symbolic expressions of the human being.
The guiding thread of the journey, despite the alternating apparent stylistic changes, never manages to give up the impulsive, spontaneous interpretation of the color of life…
Author: CESARE FRUGIUELE - Italy
Title: "Piet." - 2022
Diptych in acrylic on cardboard, composed of
two pieces of 35x50 cm, not joined and to be framed with glass protection.
With Certificate of Authenticity.
Visit my site:
www.artepassionedivita.com
Discovering art at the age of thirteen, self-taught, almost by chance, was a unique, exciting experience.
Even today, sixty years later, I relive it as then.
From the start, I instinctively nurtured a genuine passion for drawing and painting.
Over the years, I have come to appreciate figurative art and the measured tendency toward abstraction,
admiring the work of the “Greats” and constantly focusing on the chromatic aspect as the protagonist.
Then, as the natural evolution of intimate artistic research dictates, interest shifts toward new influences, new techniques.
The personal contribution transforms, becomes more intimate and reworked, at times positively conditioned also by the primordial symbolic expressions of the human being.
The guiding thread of the journey, despite the alternating apparent stylistic changes, never manages to give up the impulsive, spontaneous interpretation of the color of life…

