Sanlé Sory (1943–2023) - Le baiser






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
Stamped and signed.
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Becoming a journalist and photographer, he also produced sleeve art for records.
He opens his Volta Photo studio in 1962, as his country gains independence. He buys a Rolleiflex 6×6, and begins by taking identity photographs and photographs of road accidents for the local police.
Rapidly, he gains notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Upper Volta, where young Africans “hungry for modernity” came to “have their portrait taken.”
Dating from between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a social and cultural effervescence unique to its kind.”
Exhibitions
2015: Folk Art African?, Fonds régional d’art contemporain de Bordeaux.
2015: À la rencontre de la photographie africaine, médiathèque de Mérignac.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity (Galerie Art-Z, Paris), signed by the photographer.
Seller's Story
Stamped and signed.
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Becoming a journalist and photographer, he also produced sleeve art for records.
He opens his Volta Photo studio in 1962, as his country gains independence. He buys a Rolleiflex 6×6, and begins by taking identity photographs and photographs of road accidents for the local police.
Rapidly, he gains notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Upper Volta, where young Africans “hungry for modernity” came to “have their portrait taken.”
Dating from between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a social and cultural effervescence unique to its kind.”
Exhibitions
2015: Folk Art African?, Fonds régional d’art contemporain de Bordeaux.
2015: À la rencontre de la photographie africaine, médiathèque de Mérignac.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity (Galerie Art-Z, Paris), signed by the photographer.
