Yuni R. P - El arca de la primavera

Painting by the artist Yuni R. P in the technique of oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a surrounding white margin for easier mounting or framing.

The works, once sold, are shipped within a maximum of three days to any part of the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, ensuring its perfect conservation during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual force and marked expressiveness.

His painting is characterized by a rich impasto, loose strokes and an intensely colorful palette, where light and movement constantly dialogue. In his Impressionist approach, there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism and color vibration are addressed, always from a contemporary and deeply personal perspective.

The themes he addresses arise from an emotional connection with nature and the landscape: seascapes, sails, fauna, flowers and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni's paintings possess a frontal and enveloping presence; they are works that must be viewed in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the brushstroke. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement and an almost tactile expressiveness.

His work is, in essence, a celebration of color, matter and emotion: a painting that invites stopping, observing and feeling.

This painting is a poetic expression within contemporary impressionism, where the central subject—a boat overflowing with flowers—becomes a visual metaphor of abundance and fragility. Executed in oil on canvas, the technique stands out for the generous impasto in the flowers, applied with short, confident brushstrokes that create a vibrant relief, contrasting with the softness of the water and the sky. The handling of complementary colors is exquisite: the intense red of the poppies erupts over the tranquility of the blues and turquoises of the water, while the reflection in the liquid mirror is resolved with a sweeping technique that conveys absolute calm. The painter seeks to convey a sense of peace, hope and spiritual fullness; the boat, crewless, suggests an inner journey or an offering to nature, inviting the viewer to contemplate beauty as a refuge that calmly floats in the immensity of life.