Francien Krieg - Without armor






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
€300 |
|---|
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A Dutch oil painting on panel titled "Without armor" in the impressionist style, a portrait created in 2026, measuring 50 x 70 cm, original, hand-signed, in excellent condition, sold directly by the artist.
Description from the seller
Without armor
50 x 70 cm / oil on panel / 0.6 cm
To the future owner,
In this painting the layering of the paint plays an important role. The skin is built up from multiple thin and impasto layers of white, pink, lilac, green and blue. In some places earlier tones and corrections remain visible; elsewhere the paint is applied thicker, especially around the faces, hair, and shadow areas. As a result the surface changes when you approach closely or view it from a different angle.
The work reveals its best with soft light that falls slightly from the side across the canvas. This grazing light makes the height differences, brushstrokes, and underlying paint layers visible. Front-lit or very harsh light can make the surface appear flatter. In cool daylight the blue and green tones are most visible; warmer light brings forward the pink and earthy layers.
If possible, give the painting some space on the wall and avoid direct sunlight. I hope you don’t only observe it from a distance, but also stand close to it from time to time—right there the paint shows how the work came to be.
All series – from self-portraits and aging bodies to young male boxers, women at sunset, and intimate scenes with cats – can be found on my website, where you can also read more about my background and motives:
www.francienkrieg.com
I work exclusively with high-quality materials: professionally prepared linen or smooth panels, and oil paint of top quality, rich in pigment. Each work is made with care and dedication – meant to endure, not just in material, but in meaning.
Seller's Story
Without armor
50 x 70 cm / oil on panel / 0.6 cm
To the future owner,
In this painting the layering of the paint plays an important role. The skin is built up from multiple thin and impasto layers of white, pink, lilac, green and blue. In some places earlier tones and corrections remain visible; elsewhere the paint is applied thicker, especially around the faces, hair, and shadow areas. As a result the surface changes when you approach closely or view it from a different angle.
The work reveals its best with soft light that falls slightly from the side across the canvas. This grazing light makes the height differences, brushstrokes, and underlying paint layers visible. Front-lit or very harsh light can make the surface appear flatter. In cool daylight the blue and green tones are most visible; warmer light brings forward the pink and earthy layers.
If possible, give the painting some space on the wall and avoid direct sunlight. I hope you don’t only observe it from a distance, but also stand close to it from time to time—right there the paint shows how the work came to be.
All series – from self-portraits and aging bodies to young male boxers, women at sunset, and intimate scenes with cats – can be found on my website, where you can also read more about my background and motives:
www.francienkrieg.com
I work exclusively with high-quality materials: professionally prepared linen or smooth panels, and oil paint of top quality, rich in pigment. Each work is made with care and dedication – meant to endure, not just in material, but in meaning.
