Edward Hopper - “Summertime, 1943”.





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Description from the seller
Edward Hopper: “Summertime, 1943”.
This offset lithograph is in very good condition.
Size: 44 x 31 cm.
The body of the young woman on the stairs of a townhouse is revealed more than it is veiled by her light dress. In an almost provocative pose, she gazes into the sun. Curtains fluttering in the wind through an open window lend dynamism to the painting’s bright architectural geometry and reveal — just like the entrance to the house — a dark space inside.
As Hopper’s preparatory studies show, the curtains with their sexual connotation only appear in the final painting. The painting’s inner dynamic, fed by the interaction between the interior space and the phallic pillars, transforms the composition into a phantasmagoric construct. Therein, longing and promise, challenge and surrender are directly translated into spatial imagery.
Where Hopper’s other paintings depict the boundaries between nature and civilization, this work focuses on the limits imposed on the body in the process of civilization.
Never framed and kept in a dark archive storage between protective acid-free paper.
The shown photos are part of the description.
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If shipping costs are not automatically combined with multiple orders, you will always receive the multiple paid shipping costs back so that you pay shipping only once.
=================================================
This artwork is carefully securely packed and shipped in protective acid-free paper.
No shipping to the Canary Islands.
Seller's Story
Edward Hopper: “Summertime, 1943”.
This offset lithograph is in very good condition.
Size: 44 x 31 cm.
The body of the young woman on the stairs of a townhouse is revealed more than it is veiled by her light dress. In an almost provocative pose, she gazes into the sun. Curtains fluttering in the wind through an open window lend dynamism to the painting’s bright architectural geometry and reveal — just like the entrance to the house — a dark space inside.
As Hopper’s preparatory studies show, the curtains with their sexual connotation only appear in the final painting. The painting’s inner dynamic, fed by the interaction between the interior space and the phallic pillars, transforms the composition into a phantasmagoric construct. Therein, longing and promise, challenge and surrender are directly translated into spatial imagery.
Where Hopper’s other paintings depict the boundaries between nature and civilization, this work focuses on the limits imposed on the body in the process of civilization.
Never framed and kept in a dark archive storage between protective acid-free paper.
The shown photos are part of the description.
=================================================
If shipping costs are not automatically combined with multiple orders, you will always receive the multiple paid shipping costs back so that you pay shipping only once.
=================================================
This artwork is carefully securely packed and shipped in protective acid-free paper.
No shipping to the Canary Islands.
