Cesare Frugiuele - Gustav. Forma. Colore.





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Cesare Frugiuele, Gustav. Forma. Colore., 2022, two acrylic on cardboard diptychs, each 35x50 cm, not joined, with certificate of authenticity, signed, in excellent condition, original edition from Italy, sold directly by the artist.
Description from the seller
Author: CESARE FRUGIUELE - Italy
Title: "Gustav. Form. Color." - 2022
Diptych in Acrylic on cardboard, consisting of two pieces of 35x50 cm, not joined and to be framed with glass protection.
With Certificate of Authenticity.
Visit my site:
www.artepassionedivita.com
Discovering art at the age of thirteen, as a self-taught person, almost by chance, was a unique, thrilling experience.
Even today, sixty years later, I relive it as I did then.
From the start, I instinctively nourished a genuine passion for drawing and painting.
Over the years, I came to appreciate figurative art and the measured tendency toward abstraction,
admiring the work of the “Greats” and constantly focusing on the chromatic aspect as the protagonist.
Then, as natural evolution of the intimate artistic quest requires, the interest shifts toward new influences, new techniques.
The personal contribution transforms, becomes more intimate and reinterpretive, at times positively conditioned by the primordial symbolic expressions of the human being.
The guiding thread of the journey, despite the changing stylistic appearances, never fails to renounce the impulsive, spontaneous interpretation of the color of life…
Author: CESARE FRUGIUELE - Italy
Title: "Gustav. Form. Color." - 2022
Diptych in Acrylic on cardboard, consisting of two pieces of 35x50 cm, not joined and to be framed with glass protection.
With Certificate of Authenticity.
Visit my site:
www.artepassionedivita.com
Discovering art at the age of thirteen, as a self-taught person, almost by chance, was a unique, thrilling experience.
Even today, sixty years later, I relive it as I did then.
From the start, I instinctively nourished a genuine passion for drawing and painting.
Over the years, I came to appreciate figurative art and the measured tendency toward abstraction,
admiring the work of the “Greats” and constantly focusing on the chromatic aspect as the protagonist.
Then, as natural evolution of the intimate artistic quest requires, the interest shifts toward new influences, new techniques.
The personal contribution transforms, becomes more intimate and reinterpretive, at times positively conditioned by the primordial symbolic expressions of the human being.
The guiding thread of the journey, despite the changing stylistic appearances, never fails to renounce the impulsive, spontaneous interpretation of the color of life…

