Pierre Paul Emiot - Rochers de Paleokastritsa





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Original oil painting on cardboard by Pierre Paul Emiot, Rochers de Paleokastritsa (1927), a marine landscape in the Impressionist style from France, sold with the original gilded frame.
Description from the seller
Fascinating and cultured oil painting on cardboard dating to the late 1920s, depicting the famous cliffs of Paleokastritsa on the island of Corfu. The work is signed lower left with the monogram "P.E." and bears the autograph inscription "Corfou".
The style fully fits into the European "Return to Order" current of the 1920s: the painterly execution proceeds in solid, synthetic fields with clear Cézannean ancestry, reducing natural elements to monumental volumes. The palette, deliberately sober and based on muted earthy greens, grays and browns, yields the intimate and rarefied atmosphere of a spring day in the Mediterranean, distant from tourist clichés and rich in expressive force.
The identification of the monogram and the refined chromatic sensitivity decisively orient the attribution toward the French painter Pierre-Paul Émiot (1887–1975), a master known for his structured landscapes and rigorous natural geometries.
The Back: Impeccable Historical Documentation
The back of the painting constitutes an exceptional added value for collectors and scholars, presenting a double bilingual cataloguing from the period:
In the top, in pencil in French: "Rochers de Paléokastritza — Corfou"
In the center, in ink in Greek: "Βράχοι Παλαιοκαστρίτσης — Κέρκυρα"
At the bottom, the exact dating to the single day: 29/3 — 1927, which attests to its execution or en plein air cataloging during a spring study trip.
The work is completed by a splendid contemporaneous gilt-gold frame with elegant geometric carvings at the corners, which enhances its Deco rigor. A piece of exquisite collecting taste, ready to be added to a European 20th-century art collection.
Fascinating and cultured oil painting on cardboard dating to the late 1920s, depicting the famous cliffs of Paleokastritsa on the island of Corfu. The work is signed lower left with the monogram "P.E." and bears the autograph inscription "Corfou".
The style fully fits into the European "Return to Order" current of the 1920s: the painterly execution proceeds in solid, synthetic fields with clear Cézannean ancestry, reducing natural elements to monumental volumes. The palette, deliberately sober and based on muted earthy greens, grays and browns, yields the intimate and rarefied atmosphere of a spring day in the Mediterranean, distant from tourist clichés and rich in expressive force.
The identification of the monogram and the refined chromatic sensitivity decisively orient the attribution toward the French painter Pierre-Paul Émiot (1887–1975), a master known for his structured landscapes and rigorous natural geometries.
The Back: Impeccable Historical Documentation
The back of the painting constitutes an exceptional added value for collectors and scholars, presenting a double bilingual cataloguing from the period:
In the top, in pencil in French: "Rochers de Paléokastritza — Corfou"
In the center, in ink in Greek: "Βράχοι Παλαιοκαστρίτσης — Κέρκυρα"
At the bottom, the exact dating to the single day: 29/3 — 1927, which attests to its execution or en plein air cataloging during a spring study trip.
The work is completed by a splendid contemporaneous gilt-gold frame with elegant geometric carvings at the corners, which enhances its Deco rigor. A piece of exquisite collecting taste, ready to be added to a European 20th-century art collection.

