Marc Simon - Balavoine






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
Marc Simon
Daniel Balavoine, around 1983-1985
Era silver print.
This photograph of Daniel Balavoine illustrates Marc Simon's direct, unadorned gaze, as a photographer and future head of the photo department at VSD magazine. Far from sophisticated staging, Simon favors a close proximity to his subject that reveals the singer's personality.
At that time, Daniel Balavoine was at the height of his career. An engaged singer-songwriter, he left a mark on French chanson with emblematic titles such as Le Chanteur, Mon fils, ma bataille, L'Aziza, or Tous les cris les SOS. His personality, a blend of sensitivity, energy, and commitment, shines through in this portrait, where the intensity of the gaze answers the sobriety of the composition.
Beyond its documentary interest, this photograph testifies to the aesthetics of grand press photojournalism of the 1980s. It recalls the essential role played by illustrated magazines, notably VSD, in the diffusion of a humanist and narrative photography, capable of capturing the major figures of their era with authenticity.
This print is a historical document as much as a photographic work, preserving the memory of an artist whose influence on French music remains considerable.
Seller's Story
Marc Simon
Daniel Balavoine, around 1983-1985
Era silver print.
This photograph of Daniel Balavoine illustrates Marc Simon's direct, unadorned gaze, as a photographer and future head of the photo department at VSD magazine. Far from sophisticated staging, Simon favors a close proximity to his subject that reveals the singer's personality.
At that time, Daniel Balavoine was at the height of his career. An engaged singer-songwriter, he left a mark on French chanson with emblematic titles such as Le Chanteur, Mon fils, ma bataille, L'Aziza, or Tous les cris les SOS. His personality, a blend of sensitivity, energy, and commitment, shines through in this portrait, where the intensity of the gaze answers the sobriety of the composition.
Beyond its documentary interest, this photograph testifies to the aesthetics of grand press photojournalism of the 1980s. It recalls the essential role played by illustrated magazines, notably VSD, in the diffusion of a humanist and narrative photography, capable of capturing the major figures of their era with authenticity.
This print is a historical document as much as a photographic work, preserving the memory of an artist whose influence on French music remains considerable.
