Willem Noordijk (1887-1970) - Tangier (Morocco) Bazar, pre-1936

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This atmospheric oil painting by Willem Frederik Noordijk (1887–1970) depicts a lively street scene set in Tangier, and was executed during the artist’s travels in North Africa. On stylistic grounds, and in comparison with other works from this period, the painting can be dated to before 1936 and was very likely painted en plein air.

The composition is centered on a bustling marketplace beneath a monumental arched gateway. Draped figures in traditional Moroccan attire converse and trade while laden donkeys pass through the sunlit entrance, creating a scene rich in narrative, movement, and everyday life. The harmonious composition and sensitive handling of colour and light make this an accomplished example of the artist’s Orientalist oeuvre.

Situated at the meeting point of the Atlantic Ocean and the Mediterranean Sea, Tangier has long served as a cultural crossroads, shaped by successive Phoenician, Roman, Arab, and European influences. During the late nineteenth and early twentieth centuries, the city acquired an almost mythical status among European artists and travellers, who were drawn to its distinctive architecture, bustling markets, and cosmopolitan atmosphere. Noordijk’s painting reflects this enduring fascination, capturing the city’s unique character with painterly flair.

Noordijk initially lived and worked in Schiedam and The Hague before settling in Laren and later Eemnes from 1919 onwards. He studied at the Academy of Fine Arts in The Hague between 1914 and 1917 under Frits Jansen. A versatile painter and graphic artist, he worked in oil, watercolour, pastel, pen, and etching, generally in an Impressionist style. His subjects ranged from landscapes, animals, and floral studies to figure compositions. Noordijk was also a member of the Amsterdam artists’ society St. Lucas.

Extensive travels through France, Spain, England, Italy, and North Africa provided a continual source of inspiration throughout his career. This evocative Tangier street scene stands as a fine and characteristic example of his North African period, combining documentary interest with strong decorative appeal.

Literature: Pieter A. Scheen, Lexicon Nederlandse Beeldende Kunstenaars; RKD – Netherlands Institute for Art History; P.M.J. Jacobs, Lexicon Nederlandse Beeldende Kunstenaars 1750–1950.

⦿ Signed lower left: W. Noordijk
⦿ Dimensions (approx.): 59 x 49 cm (artwork), 74 x 64 cm (incl. frame/total).
⦿ Condition: Exhibits an authentic patina of age (see pictures). Renewed varnish.
⦿ Estimated Period: pre 1936
⦿ Please note: The frame is included as a complimentary gift and should be regarded as such.
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