Panel - FAESITE






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A Nino Gobbis faesite relief panel, 70 x 11 cm, from the 1950–1960 ORO series, in faesite, condition like new, from Veneto Treviso, weight 2 kg, depth 1 cm.
Description from the seller
Panel by Nino Gobbis, raised faesite graphic on faesite. Q014 GOLD SERIES 70X11
This 70 x 11 panel is part of the GOLD series that was intended to be used for a furniture collection in which the panels stood out against the minimalism of mahogany furniture.
Nino Gobbis used faesite panels as support, an industrial material lacking natural grain, which allows for precise lines and uniform fields and is durable.
The piece testifies to an era in which Arreda di Celotto furniture represented the decor of the time with these inserts.
The item is in excellent condition despite its 70 years.
Gobbis collaborated with Arreda di Celotto, which in the 1950s produced furniture designed by famous Italian architects and designers such as Piero Celotto, commissioning decorative panels from artists like Nino Gobbis to furnish bourgeois houses, offices, hotels, or cruise ships.
This type of art merges artistic craftsmanship with design production, perfectly integrating sculpture with the interior architecture of the era.
The panel has undergone no treatment and preserves all its charm.
Nino Gobbis, Italian painter and engraver active in the mid-20th century, whose figure is deeply linked to the world of fine interior design and Trevigiano mid-century modernism of the 1950s and 1960s.
These panels are characterized by a typified graphic aesthetic, with motifs reflecting the European avant-gardes of the first half of the century (with geometric and abstract references adapted to the geometric and organic taste of the 1950s).
Statement of provenance
I declare that this panel comes from the private collection of the Celotto family of Montebelluna, in whose custody it has remained since the time of its creation. The work subsequently became part of my private collection and is being offered for sale with this provenance declaration, issued in good faith.
For shipping the panel is protected by a rigid structure (plywood or thickened cardboard) to prevent damage during transport; unfortunately this affects shipping costs but guarantees the object's integrity.
Panel by Nino Gobbis, raised faesite graphic on faesite. Q014 GOLD SERIES 70X11
This 70 x 11 panel is part of the GOLD series that was intended to be used for a furniture collection in which the panels stood out against the minimalism of mahogany furniture.
Nino Gobbis used faesite panels as support, an industrial material lacking natural grain, which allows for precise lines and uniform fields and is durable.
The piece testifies to an era in which Arreda di Celotto furniture represented the decor of the time with these inserts.
The item is in excellent condition despite its 70 years.
Gobbis collaborated with Arreda di Celotto, which in the 1950s produced furniture designed by famous Italian architects and designers such as Piero Celotto, commissioning decorative panels from artists like Nino Gobbis to furnish bourgeois houses, offices, hotels, or cruise ships.
This type of art merges artistic craftsmanship with design production, perfectly integrating sculpture with the interior architecture of the era.
The panel has undergone no treatment and preserves all its charm.
Nino Gobbis, Italian painter and engraver active in the mid-20th century, whose figure is deeply linked to the world of fine interior design and Trevigiano mid-century modernism of the 1950s and 1960s.
These panels are characterized by a typified graphic aesthetic, with motifs reflecting the European avant-gardes of the first half of the century (with geometric and abstract references adapted to the geometric and organic taste of the 1950s).
Statement of provenance
I declare that this panel comes from the private collection of the Celotto family of Montebelluna, in whose custody it has remained since the time of its creation. The work subsequently became part of my private collection and is being offered for sale with this provenance declaration, issued in good faith.
For shipping the panel is protected by a rigid structure (plywood or thickened cardboard) to prevent damage during transport; unfortunately this affects shipping costs but guarantees the object's integrity.
