Jone Hopper - Muse bleu





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Muse bleu by Jone Hopper, a mixed media on canvas (aerosol, pastel and acrylic) measuring 50 x 40 cm, signed by hand, original edition from 2020 or later, produced in France and sold directly from the artist with a certificate of authenticity, the canvas mounted on a wooden frame without a cradle.
Description from the seller
Born in 1977, Jone Hopper is a French artist. In the late 1980s, he cut his teeth in the streets through an emerging movement at that time, graffiti. He tags his name on walls and on trains. Recognized for his characters and his aerosol signatures, he creates the collective TBS (The Brutal Style) with Skepa and a few other dedicated graffiti writers. We know little about him as the artist remains faithful to the spirit of graffiti and wishes to stay anonymous, believing that the work should be highlighted and not the person. He operates off social media, away from openings, a faceless artist; he remains a true mystery except to a few gallerists in the confidences. He compares his painting to a hip-hop track, borrowing from Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol or even Bacon, drawing from all artistic movements, from Modern to Contemporary while passing through Classical; he acts like a sampler... he samples, cuts, assembles and thus creates new images.
- Mixed techniques: spray paint, pastel and acrylic on canvas
- With certificate of authenticity
- Canvas mounted on a wooden stretcher frame without a cradle
Born in 1977, Jone Hopper is a French artist. In the late 1980s, he cut his teeth in the streets through an emerging movement at that time, graffiti. He tags his name on walls and on trains. Recognized for his characters and his aerosol signatures, he creates the collective TBS (The Brutal Style) with Skepa and a few other dedicated graffiti writers. We know little about him as the artist remains faithful to the spirit of graffiti and wishes to stay anonymous, believing that the work should be highlighted and not the person. He operates off social media, away from openings, a faceless artist; he remains a true mystery except to a few gallerists in the confidences. He compares his painting to a hip-hop track, borrowing from Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol or even Bacon, drawing from all artistic movements, from Modern to Contemporary while passing through Classical; he acts like a sampler... he samples, cuts, assembles and thus creates new images.
- Mixed techniques: spray paint, pastel and acrylic on canvas
- With certificate of authenticity
- Canvas mounted on a wooden stretcher frame without a cradle

