Yuni R. P. (XX) - Luz sobre la bahía





Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 136973 reviews
Rated Excellent on Trustpilot.
Luz sobre la bahía is an oil on canvas painting from post-2020, 53 × 73 cm, Spain, hand-signed, original edition, sold directly by the artist Yuni R. P. (XX), in excellent condition.
Description from the seller
Painting by the artist Yuni R. P., executed in oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a perimetral white margin for easier mounting or framing.
The works, once sold, are shipped within a maximum of three days to any part of the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid, high-strength cardboard tube, guaranteeing its perfect conservation during transport.
Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a highly personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual strength and marked expressiveness.
His painting is characterized by rich impasto, loose brushstrokes, and an intensely colorful palette, where light and movement constantly dialogue. In his impressionistic treatment, there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism, and color vibration are approached, always from a contemporary and deeply personal perspective.
The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, sailboats, fauna, flowers, and evocative cities form a pictorial universe charged with nostalgia and admiration for classical art. His works do not seek literal description but rather the evocation of sensations, awakening in the viewer intense feelings and latent memories.
Yuni’s paintings possess a frontal and enveloping presence; they are works that must be viewed in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the painting gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.
His work is, essentially, a celebration of color, matter, and emotion: a painting that invites stopping, observing, and feeling.
This painting is a vibrant exponent of landscape Neo-impressionism, where architecture and nature fuse in an explosion of color. Executed in oil on canvas, the work stands out for its generous material application, using the spatula to define the volumes of the houses and the dense foliage of the trees. The artist uses a saturated color palette where the contrast between red rooftops and the deep blue of the sea creates a dynamic visual energy. Through rhythmic and confident brushstrokes, the painter manages to capture the incidence of summer light on the facades, conveying a sense of warmth, prosperity, and idyllic serenity. The aim is to evoke the essence of a Mediterranean port in full effervescence, inviting the viewer to immerse themselves in an atmosphere of well-being where human presence — represented by the small figures and boats — coexists in perfect harmony with an exuberant natural environment.
Painting by the artist Yuni R. P., executed in oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a perimetral white margin for easier mounting or framing.
The works, once sold, are shipped within a maximum of three days to any part of the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid, high-strength cardboard tube, guaranteeing its perfect conservation during transport.
Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a highly personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual strength and marked expressiveness.
His painting is characterized by rich impasto, loose brushstrokes, and an intensely colorful palette, where light and movement constantly dialogue. In his impressionistic treatment, there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism, and color vibration are approached, always from a contemporary and deeply personal perspective.
The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, sailboats, fauna, flowers, and evocative cities form a pictorial universe charged with nostalgia and admiration for classical art. His works do not seek literal description but rather the evocation of sensations, awakening in the viewer intense feelings and latent memories.
Yuni’s paintings possess a frontal and enveloping presence; they are works that must be viewed in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the painting gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.
His work is, essentially, a celebration of color, matter, and emotion: a painting that invites stopping, observing, and feeling.
This painting is a vibrant exponent of landscape Neo-impressionism, where architecture and nature fuse in an explosion of color. Executed in oil on canvas, the work stands out for its generous material application, using the spatula to define the volumes of the houses and the dense foliage of the trees. The artist uses a saturated color palette where the contrast between red rooftops and the deep blue of the sea creates a dynamic visual energy. Through rhythmic and confident brushstrokes, the painter manages to capture the incidence of summer light on the facades, conveying a sense of warmth, prosperity, and idyllic serenity. The aim is to evoke the essence of a Mediterranean port in full effervescence, inviting the viewer to immerse themselves in an atmosphere of well-being where human presence — represented by the small figures and boats — coexists in perfect harmony with an exuberant natural environment.

