Alonso Ustrell (1930-2004) - Vista de mercado





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Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Description from the seller
Signed by the artist on the bottom
The condition is good
The work is presented framed (the frame shows some signs of use)
Dimensions of the work: 60 cm in height x 73 cm in width
Frame dimensions: 76 cm in height x 89 cm in width
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ARTIST BIOGRAPHY
Alonso Ustrell (Valencia, 1930 – 2004) was a Spanish painter known for his distinctive view of daily life in markets and urban scenes along the Mediterranean coast. His work, deeply rooted in direct observation, captures the bustle, colors, and the silent tensions of street life during the second half of the 20th century.
Born in the Cabanyal neighborhood, Ustrell grew up among fishermen, street vendors, and merchants, a setting that would decisively shape his artistic imagination. From a young age he showed interest in drawing, making sketches of fruit stalls, anonymous faces, and busy streets. He entered the School of Fine Arts of San Carlos in Valencia, where he received a traditional academic education, though he soon began to develop a freer and more expressive style.
During the 1950s, his painting evolved toward a vibrant palette and loose brushstrokes, influenced by post-impressionism and certain echoes of European expressionism. His markets were not mere picturesque depictions but scenes charged with rhythm and emotion: women negotiating prices, shadows projected on faded awnings, and figures that seem to merge with urban architecture.
Throughout the 60s and 70s, Ustrell exhibited in various galleries in Valencia, Barcelona, and Madrid. Although he never sought international recognition, his work was appreciated by critics who highlighted his ability to “paint the noise and smell” of the city. He repeatedly declined moving to Paris or Rome, preferring to remain faithful to his Mediterranean surroundings.
In his later years, his style became more sober and contemplative. Urban scenes gradually emptied of figures, giving way to nearly silent markets, as if capturing the memory of a world in transformation.
Alonso Ustrell died in 2004 in his hometown. Today, his work is preserved in private collections and in some regional museums, where it continues to be valued as a sensitive and vibrant testimony to Valencian urban life of the 20th century.
Signed by the artist on the bottom
The condition is good
The work is presented framed (the frame shows some signs of use)
Dimensions of the work: 60 cm in height x 73 cm in width
Frame dimensions: 76 cm in height x 89 cm in width
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
ARTIST BIOGRAPHY
Alonso Ustrell (Valencia, 1930 – 2004) was a Spanish painter known for his distinctive view of daily life in markets and urban scenes along the Mediterranean coast. His work, deeply rooted in direct observation, captures the bustle, colors, and the silent tensions of street life during the second half of the 20th century.
Born in the Cabanyal neighborhood, Ustrell grew up among fishermen, street vendors, and merchants, a setting that would decisively shape his artistic imagination. From a young age he showed interest in drawing, making sketches of fruit stalls, anonymous faces, and busy streets. He entered the School of Fine Arts of San Carlos in Valencia, where he received a traditional academic education, though he soon began to develop a freer and more expressive style.
During the 1950s, his painting evolved toward a vibrant palette and loose brushstrokes, influenced by post-impressionism and certain echoes of European expressionism. His markets were not mere picturesque depictions but scenes charged with rhythm and emotion: women negotiating prices, shadows projected on faded awnings, and figures that seem to merge with urban architecture.
Throughout the 60s and 70s, Ustrell exhibited in various galleries in Valencia, Barcelona, and Madrid. Although he never sought international recognition, his work was appreciated by critics who highlighted his ability to “paint the noise and smell” of the city. He repeatedly declined moving to Paris or Rome, preferring to remain faithful to his Mediterranean surroundings.
In his later years, his style became more sober and contemplative. Urban scenes gradually emptied of figures, giving way to nearly silent markets, as if capturing the memory of a world in transformation.
Alonso Ustrell died in 2004 in his hometown. Today, his work is preserved in private collections and in some regional museums, where it continues to be valued as a sensitive and vibrant testimony to Valencian urban life of the 20th century.
