yamila velazquez - La sinfonía de los elementos

About the work:
The piece presented is part of a limited edition of 5 units worldwide, digitally produced and hand-signed by the artist. Each print is unique within its series, guaranteeing exclusivity and authenticity. On the back are included all pertinent data of the work, numbering, and signature.
Total dimensions: 100 x 65 cm
Material: High-quality professional 100% cotton canvas, maximum resistance to handling and external agents from the Eco Canvas Roma Glossy, Satin finish. We guarantee a durable product with strong visual quality.
Technique: Giclée printing, renowned for its precision and lasting quality.

Certificate of authenticity:
If the buyer wishes, the artist can provide a certificate of authenticity. This must be requested expressly at the time of purchase.

About the artist:
Yamila Velázquez (Las Tunas, Cuba, 1993) is a contemporary artist who uses digital intelligence tools, currently living and working in Alicante, Spain. Owner and partner of a company dedicated to the sale, representation, and development of artists and artworks, Velázquez combines her business vision with a deep artistic sensibility.
This young Cuban talent has established herself in the realm of digital art, using contemporary media to explore themes related to nature, landscape, and the intimate relation between woman and her environment. Her works delicately and powerfully address topics such as beauty, love, sensuality, and feminine delicacy, always framed in enveloping, romantic, and refined atmospheres.
With a vibrant and expressive aesthetic, Yamila Velázquez manages to fuse classical influences with a modern language, yielding versatile, fresh, and profoundly evocative works. The pictorial texture of her images, masterful use of color, and emotionally balanced composition position her work as a contemporary artistic proposal of high aesthetic value.

Shipping and presentation:
The work will be carefully packed by a professional and shipped in a rigid cardboard tube, internally protected with bubble wrap to ensure its integrity during transport. Shipments are made through reliable courier companies such as UPS, FedEx, or Correos España, depending on destination and the most convenient option in each case.
Estimated delivery time is 7 to 10 days, though it may vary depending on the destination country.

The scene features three male figures, semi-naked and covered with leaves, in a forested and idealized setting, performing a ritual musical action. Two of them play flutes with a focused gesture, while the third manipulates a huge double horn from which a floating veil hangs, evoking both movement and visual resonance.

The technique is of impeccable academic mastery: figures with idealized anatomy, softened golden light, and an atmosphere built with the same precision as the great masters of nineteenth-century academicism. The triangular composition, the balance between figure and landscape, and the detailed gesturality turn the image into a visual choreography. The mountainous background adds narrative depth and mysticism, reminiscent of the utopian landscapes of Romantic painting.
More than a pastoral scene, this image is an allegory of the ancient power of music and its capacity to structure the cosmos. The characters are not mere fauns or wild musicians: they represent elemental principles in harmony with nature. The music they perform is not entertainment, but a form of invocation, sacred communication, or foundational vibration of the natural world.

The floating canvas that connects the wind instruments suggests a visual metaphor of sound made form, as if the harmony of their music materialized in the air, suspending time. The leaves covering their bodies reinforce the direct connection with the organic, the ancestral, and the primal, echoing the Eden myth or the spirits of nature.

This work belongs to contemporary symbolic neo-academicism, a movement that revisits the technical rigor of the 19th century but uses it to evoke emotional states and philosophical concepts. The treatment of the human figure recalls Bouguereau and Gérôme, while the atmosphere evokes the Arcadia of the Pre-Raphaelites and the symbolism of Pierre Puvis de Chavannes.