Sasho Violetov - Untitled





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Sasho Violetov's original oil painting Untitled from 2026 in a contemporary style, hand signed, measuring 46 cm high by 55 cm wide and weighing 1 kg, created in Bulgaria and sold direct from the artist.
Description from the seller
This artwork explores the complexity of identity through a surreal portrait of a man wearing sunglasses. Within each lens appears a different person, visually separated yet united by a single continuous nose that transcends the boundary between the reflections. This impossible connection challenges conventional ideas of individuality, suggesting that every identity is shaped by unseen relationships, shared consciousness, and collective memory.
The interconnected faces symbolize the coexistence of multiple selves—the public and the private, the remembered and the imagined, the individual and the collective. By merging distinct figures into one continuous form, the work questions where one identity ends and another begins, inviting viewers to reflect on perception, human connection, and the fluid nature of selfhood. Balancing realism with surrealism, the composition transforms an everyday object into a metaphor for the ways we construct, conceal, and project our identities.
This artwork explores the complexity of identity through a surreal portrait of a man wearing sunglasses. Within each lens appears a different person, visually separated yet united by a single continuous nose that transcends the boundary between the reflections. This impossible connection challenges conventional ideas of individuality, suggesting that every identity is shaped by unseen relationships, shared consciousness, and collective memory.
The interconnected faces symbolize the coexistence of multiple selves—the public and the private, the remembered and the imagined, the individual and the collective. By merging distinct figures into one continuous form, the work questions where one identity ends and another begins, inviting viewers to reflect on perception, human connection, and the fluid nature of selfhood. Balancing realism with surrealism, the composition transforms an everyday object into a metaphor for the ways we construct, conceal, and project our identities.

