Tijs Dragtsma (1992) - The Lovers

The Lovers is a contemporary artwork about intimacy, longing, and the veils that remain between two people even in their closest moment.

Two figures lean into a kiss. Their heads are wrapped in cloth, every fold pressed into place, the fabric holding the exact shape of a tenderness it will not allow to be completed. They are as close as two people can be, and still they do not touch. The kiss lands on linen. The faces beneath remain unknown, even to each other.

No paint. No print. No ink. The image appears through controlled surface damage on acrylic glass. Each fold of fabric, each shadow between the two figures is built from controlled scratches that catch the light differently as the viewer moves. From a distance, the embrace reads as monumental and absolute, two forms carved out of darkness. Step closer, and the surface dissolves into a field of fine marks, the lovers retreating into the material they were drawn from.

The image bows to one of the most haunting gestures in the history of surrealism, Rene Magritte's veiled lovers, and rebuilds it in an entirely different language. Where Magritte used paint to conceal, this work uses removal to reveal, and what it reveals is the same unresolvable question: can we ever truly know the person we hold?

The veil is the work. It is the distance inside every intimacy, the part of the other that stays hidden no matter how close we come. The scratches repeat that thought in material form, an image that is present and withheld at once, surfacing and disappearing as the light travels across the glass.

The Lovers continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.

"They are as close as two people can be. The veil is what remains."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into thousands of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light is what gives this work its life. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens, recedes, almost disappears into the darkness from which it came. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it retreats, leaving only a whisper of form. It is within that movement, between visibility and disappearance, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.