Adeline Dupuy - Foret tropicale 1





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Acrylic painting on canvas Foret tropicale 1 by Adeline Dupuy, France, Contemporary, Original Edition, 104 x 73 cm, 2 kg, hand-signed and dated on the back, certificate of authenticity, ready to hang, sold directly by the artist.
Description from the seller
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is hand-signed and dated on the back
Certificate of authenticity
Shipped well protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and layering she finds in street art that is very present in the streets of Melbourne.
Back in France, trained as a geologist, color remains a through-line in her life as it often reveals the history of the landscape.
In 2022 she began training at the School of Fine Arts of Bordeaux, and working with color and large formats gives a new dimension to her painting.
Her approach is to work with acrylic by layering glazes, a very diluted layer of color to reveal transparency, depth, lightness, evanescence, and the vulnerability attributed to the subject.
What interests her is semi-figurative work where the subject remains identifiable but the rest is suggested, leaving room for the projection and imagination of the viewer.
It is precisely when the painting eludes us that the invisible shines through.
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is hand-signed and dated on the back
Certificate of authenticity
Shipped well protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and layering she finds in street art that is very present in the streets of Melbourne.
Back in France, trained as a geologist, color remains a through-line in her life as it often reveals the history of the landscape.
In 2022 she began training at the School of Fine Arts of Bordeaux, and working with color and large formats gives a new dimension to her painting.
Her approach is to work with acrylic by layering glazes, a very diluted layer of color to reveal transparency, depth, lightness, evanescence, and the vulnerability attributed to the subject.
What interests her is semi-figurative work where the subject remains identifiable but the rest is suggested, leaving room for the projection and imagination of the viewer.
It is precisely when the painting eludes us that the invisible shines through.

