Romain Steppe (1859-1927) - Marine






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Oil painting on canvas titled Marine by Belgian artist Romain Steppe (1859–1927), a classical marine view from 1900–1910, hand-signed in the lower left, in good condition and sold with the frame; framed dimensions are 87 x 67 cm (without frame 70 x 50 cm).
Description from the seller
Beautiful, large oil on canvas by the Belgian artist Romain Steppe (1859-1927), known for his seascapes and marine paintings.
Signed bottom left.
In good condition, though some wear considering its age.
Framed in an old sculpted frame from that period.
Dimensions
- with frame 87 x 67 cm
- without frame 70 x 50 cm
Status mentioned in “The Belgian Visual Artists from the 19th to the 21st Century” by Paul Piron.
Romain Steppe was a Belgian artist born in Antwerp in 1859 and died in Antwerp in 1927. He was a painter.
Student of Van Hoorde, later of Boland and finally of Isidore Meyers.
Created landscapes as well, but especially seascapes and marine paintings.
Realistic composition, impressionistic touch. Worked along the banks of the Scheldt, on the Belgian coast, in the Antwerp harbor, in the Limburg Campine, and later also in England, the Netherlands, Italy and France.
Subsequently settled back in Antwerp and exhibited there regularly from 1887 onward.
Was a member of the Circle “Als Ik Kan” in Antwerp.
Beautiful, large oil on canvas by the Belgian artist Romain Steppe (1859-1927), known for his seascapes and marine paintings.
Signed bottom left.
In good condition, though some wear considering its age.
Framed in an old sculpted frame from that period.
Dimensions
- with frame 87 x 67 cm
- without frame 70 x 50 cm
Status mentioned in “The Belgian Visual Artists from the 19th to the 21st Century” by Paul Piron.
Romain Steppe was a Belgian artist born in Antwerp in 1859 and died in Antwerp in 1927. He was a painter.
Student of Van Hoorde, later of Boland and finally of Isidore Meyers.
Created landscapes as well, but especially seascapes and marine paintings.
Realistic composition, impressionistic touch. Worked along the banks of the Scheldt, on the Belgian coast, in the Antwerp harbor, in the Limburg Campine, and later also in England, the Netherlands, Italy and France.
Subsequently settled back in Antwerp and exhibited there regularly from 1887 onward.
Was a member of the Circle “Als Ik Kan” in Antwerp.
