Adeline Dupuy - Foret tropicale 2





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Foret tropicale 2 is an original contemporary acrylic painting on canvas by Adeline Dupuy, 104 cm high and 73 cm wide, weighing about 2 kg, from France, hand-signed with the date on the back, with a certificate of authenticity and ready to hang.
Description from the seller
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is signed and dated by hand on the back
Certificate of authenticity
Shipped well-protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and the layering she found in street art that is very present in the streets of Melbourne.
Back in France, trained as a geologist, color remains a through-line in her life, as it often reveals the history of the landscape.
In 2022 she began training at the Bordeaux School of Fine Arts, and working with color and large formats gives a new dimension to her painting.
Her approach is to work with acrylic by building up glazes, a layer of very diluted color to reveal transparency, depth, lightness, evanescence and vulnerability attributed to the subject.
What interests her is semi-figuration where the subject remains identifiable, but the rest is suggested and leaves room for the viewer's projection and imagination.
It is precisely when the painting escapes us that the invisible glows.
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is signed and dated by hand on the back
Certificate of authenticity
Shipped well-protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and the layering she found in street art that is very present in the streets of Melbourne.
Back in France, trained as a geologist, color remains a through-line in her life, as it often reveals the history of the landscape.
In 2022 she began training at the Bordeaux School of Fine Arts, and working with color and large formats gives a new dimension to her painting.
Her approach is to work with acrylic by building up glazes, a layer of very diluted color to reveal transparency, depth, lightness, evanescence and vulnerability attributed to the subject.
What interests her is semi-figuration where the subject remains identifiable, but the rest is suggested and leaves room for the viewer's projection and imagination.
It is precisely when the painting escapes us that the invisible glows.

