ALGO - Cauchemar






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Description from the seller
Artist: Algo (French contemporary artist, active in France, born in the 21st century)
Nationality: French
Title: Nightmares
Year: 2024
Technique / Support: Mixed media on canvas (acrylic, texture, drips, gestural work)
Dimensions of the work (image): 60 × 40 cm
Dimensions of the canvas: 63 × 83 cm
Framing: Work framed by the artist (the frame was manually made and is an integral part of the piece), mounted on a stretcher
Signature:
Signed, titled and dated on the back of the canvas by the artist, in handwriting.
Edition:
Unique work (original piece).
Provenance:
Artist’s collection (France).
Documentation:
Certificate of authenticity provided by the artist.
Condition:
Very good overall condition.
Deliberate presence of texture, drips, reliefs and impasto as an integral part of the artwork.
Canvas in good condition.
Delivery:
Work shipped, carefully protected with certificate of authenticity.
Shipping possible within France and internationally.
Created in Rennes in 2024, during the artist’s research memory writing period, this work belongs to ALGO’s early paintings and already testifies to several elements that will characterize his later work: gestural abstraction, phenomena of visual projection, and the search for latent images within the pictorial matter.
The composition is dominated by a broad red mass crossed by drips, traces and successive overlays. A blue-tinted band along the left edge creates a chromatic tension that enhances the presence of red and structures the space of the canvas.
At first glance abstract, the work gradually reveals different possible shapes. Some viewers perceive a face, a silhouette, or an organic presence emerging. This visual ambiguity, close to the phenomenon of pareidolia, already occupies an important place in the artist’s research at this time.
Created during ALGO’s philosophical training years, the painting does not aim to illustrate a specific concept but conveys an intellectual climate marked by questions about perception, representation, and how the mind projects meaning into what it contemplates.
The handling of matter, the transparencies and the successive layers give the whole a particular depth, where the image seems to appear and then disappear depending on distance and viewing angle.
Artist: Algo (French contemporary artist, active in France, born in the 21st century)
Nationality: French
Title: Nightmares
Year: 2024
Technique / Support: Mixed media on canvas (acrylic, texture, drips, gestural work)
Dimensions of the work (image): 60 × 40 cm
Dimensions of the canvas: 63 × 83 cm
Framing: Work framed by the artist (the frame was manually made and is an integral part of the piece), mounted on a stretcher
Signature:
Signed, titled and dated on the back of the canvas by the artist, in handwriting.
Edition:
Unique work (original piece).
Provenance:
Artist’s collection (France).
Documentation:
Certificate of authenticity provided by the artist.
Condition:
Very good overall condition.
Deliberate presence of texture, drips, reliefs and impasto as an integral part of the artwork.
Canvas in good condition.
Delivery:
Work shipped, carefully protected with certificate of authenticity.
Shipping possible within France and internationally.
Created in Rennes in 2024, during the artist’s research memory writing period, this work belongs to ALGO’s early paintings and already testifies to several elements that will characterize his later work: gestural abstraction, phenomena of visual projection, and the search for latent images within the pictorial matter.
The composition is dominated by a broad red mass crossed by drips, traces and successive overlays. A blue-tinted band along the left edge creates a chromatic tension that enhances the presence of red and structures the space of the canvas.
At first glance abstract, the work gradually reveals different possible shapes. Some viewers perceive a face, a silhouette, or an organic presence emerging. This visual ambiguity, close to the phenomenon of pareidolia, already occupies an important place in the artist’s research at this time.
Created during ALGO’s philosophical training years, the painting does not aim to illustrate a specific concept but conveys an intellectual climate marked by questions about perception, representation, and how the mind projects meaning into what it contemplates.
The handling of matter, the transparencies and the successive layers give the whole a particular depth, where the image seems to appear and then disappear depending on distance and viewing angle.
