Lou Ma Ho - Mercure






Over 10 years' experience in art trade and previously founded his own gallery.
€6 | ||
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€5 | ||
€4 | ||
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Sculpture by Lou Ma Ho titled Mercure, made from plaster, lime and steel powder, in the Statues Zen edition, dated 2026, measuring 130 cm high by 9 cm wide and 9 cm deep, weighing 8 kg, signed and in excellent condition, originating from France.
Description from the seller
- Sculpture by Lou Ma Ho
- Title: Mercury
- Signed under the base with a certificate of authenticity.
- Condition: New
- Material: Plaster/Lime/Steel powder
- Weight: 8 kg
- Dimensions: 130 cm x 9 cm
- Color: metal
- Lou Ma Ho's Zen statues are part of the Swiss Art Expo to be held in September 2026.
With MERCURY, the human figure narrows to become a simple vertical, a silent axis that links earth to sky. At times matte, at times shiny, it seems alive, as if the metallic color preserves the memory of what it reflects. Its name evokes both the god of thresholds and the liquid metal: a material in perpetual metamorphosis, paradoxically frozen in an immobile presence. At the boundary of sculpture, architecture and design, the work naturally communicates with contemporary materials: steel, concrete, glass, with which it extends its rigor without losing its meditational dimension.
- Sculpture by Lou Ma Ho
- Title: Mercury
- Signed under the base with a certificate of authenticity.
- Condition: New
- Material: Plaster/Lime/Steel powder
- Weight: 8 kg
- Dimensions: 130 cm x 9 cm
- Color: metal
- Lou Ma Ho's Zen statues are part of the Swiss Art Expo to be held in September 2026.
With MERCURY, the human figure narrows to become a simple vertical, a silent axis that links earth to sky. At times matte, at times shiny, it seems alive, as if the metallic color preserves the memory of what it reflects. Its name evokes both the god of thresholds and the liquid metal: a material in perpetual metamorphosis, paradoxically frozen in an immobile presence. At the boundary of sculpture, architecture and design, the work naturally communicates with contemporary materials: steel, concrete, glass, with which it extends its rigor without losing its meditational dimension.
