GINO FARINA - Vestigios del Ser






Over 10 years' experience in art trade and previously founded his own gallery.
€62 | ||
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€59 | ||
€56 | ||
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Gino Farina, Vestigios del Ser, original acrylic painting signed by hand, 61 × 50 cm, 2025, Italy, an abstract portrait.
Description from the seller
Vestigios del Ser
Artist Statement
Vestigios del Ser is an acrylic painting that explores the moment when identity ceases to be a fixed structure and becomes an emotional trace. Emerging from darkness through energetic brushstrokes and layered textures, the face is not intended to depict precise anatomy but rather to reveal the fragility of human existence.
The composition is built upon the tension between light and shadow. Brilliant whites appear to rescue fragments of a presence struggling to remain visible, while the rest dissolves into the surrounding void. Rather than presenting a conventional portrait, the work evokes the memory of a face—a figure suspended between what is tangible and what is fleeting.
The expressive application of acrylic preserves the immediacy and intensity of the artist’s gesture, allowing every mark to remain visible as evidence of the creative process. This deliberate absence of complete definition invites the viewer to reconstruct the image through personal experience, transforming the painting into a space for introspection where memory, transformation, and silence converge.
In Vestiges of Being, identity is not portrayed as something permanent, but as a continuous process of becoming—one in which even what appears to disappear continues to leave an indelible mark.
Vestigios del Ser
Artist Statement
Vestigios del Ser is an acrylic painting that explores the moment when identity ceases to be a fixed structure and becomes an emotional trace. Emerging from darkness through energetic brushstrokes and layered textures, the face is not intended to depict precise anatomy but rather to reveal the fragility of human existence.
The composition is built upon the tension between light and shadow. Brilliant whites appear to rescue fragments of a presence struggling to remain visible, while the rest dissolves into the surrounding void. Rather than presenting a conventional portrait, the work evokes the memory of a face—a figure suspended between what is tangible and what is fleeting.
The expressive application of acrylic preserves the immediacy and intensity of the artist’s gesture, allowing every mark to remain visible as evidence of the creative process. This deliberate absence of complete definition invites the viewer to reconstruct the image through personal experience, transforming the painting into a space for introspection where memory, transformation, and silence converge.
In Vestiges of Being, identity is not portrayed as something permanent, but as a continuous process of becoming—one in which even what appears to disappear continues to leave an indelible mark.
