Tasso - Goffredo... Gerusalemme Liberata - 1760





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Description from the seller
FEROCI SCONTRI TRA CRISTIANI E MUSULMANI : DAME E CAVALIERI, AMORE E MORTE
THE LIBERATED JERUSALEM IN ITS MOST ELEGANT VENETIAN GOWN
20 splendid and large copperplate engravings by Pietro Antonio Novelli and Bernardo Castello.
Magnificent Venetian edition of the Liberated Jerusalem printed by Antonio Groppo between 1760 and 1761, regarded as one of the most prestigious eighteenth-century interpretations of Tasso’s masterpiece. The work blends the typographic excellence of the Venetian school with a richly illustrated apparatus consisting of twenty copperplate engravings by Pietro Antonio Novelli and Bernardo Castello, transforming the poem into an authentic visual journey. The title page printed in red and black, the elegant vignettes, the historiated initials, and the refined typographic decoration make this edition a perfect example of the eighteenth-century Venetian luxury book. The valuable contemporaneous binding, with French prize inscriptions, also testifies to the poem’s wide European fortune and confers on the copy an important historical and collecting value.
WHY TO BUY
• One of the most beautiful eighteenth-century illustrated editions of the Liberated Jerusalem.
• Complete with the 20 copperplate engravings by Pietro Antonio Novelli and Bernardo Castello.
• Elegant contemporaneous binding.
MARKET VALUE
The illustrated editions of the Liberated Jerusalem published by Antonio Groppo represent one of the peaks of eighteenth-century Venetian book production and enjoy a stable antique market. Complete copies of the two volumes, preserved with all copperplates and in good condition, are generally sold between €2,500 and €4,000. Especially fresh copies, in high-quality contemporaneous bindings or characterized by documented historical provenance, can reach higher quotations.
PHYSICAL DESCRIPTION AND CONDITION
Two volumes in contemporaneous leather binding, marbled, with gilt fillets on the boards. Gilt inscriptions on the boards. Engraved frontispiece in the first volume. Frontispiece of the first volume printed in red and black. Copperplate vignettes on the frontispieces, engraved portrait of Torquato Tasso, rich decorative apparatus with historiated initials, headpieces and endpieces. In total 20 copperplate engravings by Pietro Antonio Novelli and Bernardo Castello. Some foxing and light browning of the paper; ex libris removed. Collation: Volume I: (4), XII, 360, (2) pp.; Volume II: (4), XXXVI, 364, (4) pp. Overall excellent copy, complete and of notable aesthetic impact.
In old books, with a multi-century history, some imperfections may be present, not always noted in the description.
FULL TITLE AND AUTHOR
Il Goffredo, ovvero Gerusalemme Liberata.
Venice, Antonio Groppo, 1760–1761.
Torquato Tasso (1544–1595).
CONTEXT AND SIGNIFICANCE
This edition is one of the most successful eighteenth-century editorial interpretations of the Liberated Jerusalem, a poem that more than any other contributed to the construction of the European heroic imagination. Antonio Groppo conceived a volume intended not only for reading but also for bibliographic representation, entrusting the illustrative apparatus to artists capable of translating the epic pathos, spirituality, and psychological and moral complexity of the protagonists into images.
Novelli and Castello’s engravings accompany the reader through the poem’s most famous moments — Goffredo’s exploits, the love of Tancredi and Clorinda, Armida and Rinaldo — transforming the narration into a succession of grand theatrical scenes, characterized by compositional balance, classical elegance, and refined eighteenth-century sensibility. The result is one of the most successful examples of integration between engraving art and Venetian typography.
BIOGRAPHY OF THE AUTHOR
Torquato Tasso (1544–1595) is one of the greatest poets of Italian and European literature. Educated at the major Renaissance courts, he developed with the Liberated Jerusalem a new conception of the heroic Christian poem, blending the classical epic model with deep psychological and moral introspection. Published in 1581, the work profoundly influenced European literature, painting, theater, and music, giving rise to an extraordinary illustrated editorial tradition that spanned over three centuries.
PRINTING HISTORY AND CIRCULATION
The edition by Antonio Groppo belongs to the height of Venetian publishing in the eighteenth century, when the Serenissima continued to distinguish itself for the high quality of typography and art in its productions. The presence of the bicromate title page, the extensive illustrative cycle, and the refined interior decoration attest to a precise editorial intention to offer a prestigious edition destined for aristocratic libraries and collectors.
The French inscriptions impressed on the binding constitute an interesting testimony to the international circulation of the copy during the Napoleonic era, when works considered fundamental for literary formation were often awarded as study or merit prizes, adding further historical and documentary value to the copy.
BIBLIOGRAPHY AND REFERENCES
A. Mai, Bibliografia Tassiana, no. 270.
Gamba, Serie dei Testi di Lingua, no. 948.
Graesse, Trésor de Livres Rares et Précieux.
Brunet, Manuel du Libraire et de l’Amateur de Livres.
Cataloghi delle edizioni illustrate della Gerusalemme Liberata.
Bibliografia dedicata a Pietro Antonio Novelli e Bernardo Castello.
Seller's Story
FEROCI SCONTRI TRA CRISTIANI E MUSULMANI : DAME E CAVALIERI, AMORE E MORTE
THE LIBERATED JERUSALEM IN ITS MOST ELEGANT VENETIAN GOWN
20 splendid and large copperplate engravings by Pietro Antonio Novelli and Bernardo Castello.
Magnificent Venetian edition of the Liberated Jerusalem printed by Antonio Groppo between 1760 and 1761, regarded as one of the most prestigious eighteenth-century interpretations of Tasso’s masterpiece. The work blends the typographic excellence of the Venetian school with a richly illustrated apparatus consisting of twenty copperplate engravings by Pietro Antonio Novelli and Bernardo Castello, transforming the poem into an authentic visual journey. The title page printed in red and black, the elegant vignettes, the historiated initials, and the refined typographic decoration make this edition a perfect example of the eighteenth-century Venetian luxury book. The valuable contemporaneous binding, with French prize inscriptions, also testifies to the poem’s wide European fortune and confers on the copy an important historical and collecting value.
WHY TO BUY
• One of the most beautiful eighteenth-century illustrated editions of the Liberated Jerusalem.
• Complete with the 20 copperplate engravings by Pietro Antonio Novelli and Bernardo Castello.
• Elegant contemporaneous binding.
MARKET VALUE
The illustrated editions of the Liberated Jerusalem published by Antonio Groppo represent one of the peaks of eighteenth-century Venetian book production and enjoy a stable antique market. Complete copies of the two volumes, preserved with all copperplates and in good condition, are generally sold between €2,500 and €4,000. Especially fresh copies, in high-quality contemporaneous bindings or characterized by documented historical provenance, can reach higher quotations.
PHYSICAL DESCRIPTION AND CONDITION
Two volumes in contemporaneous leather binding, marbled, with gilt fillets on the boards. Gilt inscriptions on the boards. Engraved frontispiece in the first volume. Frontispiece of the first volume printed in red and black. Copperplate vignettes on the frontispieces, engraved portrait of Torquato Tasso, rich decorative apparatus with historiated initials, headpieces and endpieces. In total 20 copperplate engravings by Pietro Antonio Novelli and Bernardo Castello. Some foxing and light browning of the paper; ex libris removed. Collation: Volume I: (4), XII, 360, (2) pp.; Volume II: (4), XXXVI, 364, (4) pp. Overall excellent copy, complete and of notable aesthetic impact.
In old books, with a multi-century history, some imperfections may be present, not always noted in the description.
FULL TITLE AND AUTHOR
Il Goffredo, ovvero Gerusalemme Liberata.
Venice, Antonio Groppo, 1760–1761.
Torquato Tasso (1544–1595).
CONTEXT AND SIGNIFICANCE
This edition is one of the most successful eighteenth-century editorial interpretations of the Liberated Jerusalem, a poem that more than any other contributed to the construction of the European heroic imagination. Antonio Groppo conceived a volume intended not only for reading but also for bibliographic representation, entrusting the illustrative apparatus to artists capable of translating the epic pathos, spirituality, and psychological and moral complexity of the protagonists into images.
Novelli and Castello’s engravings accompany the reader through the poem’s most famous moments — Goffredo’s exploits, the love of Tancredi and Clorinda, Armida and Rinaldo — transforming the narration into a succession of grand theatrical scenes, characterized by compositional balance, classical elegance, and refined eighteenth-century sensibility. The result is one of the most successful examples of integration between engraving art and Venetian typography.
BIOGRAPHY OF THE AUTHOR
Torquato Tasso (1544–1595) is one of the greatest poets of Italian and European literature. Educated at the major Renaissance courts, he developed with the Liberated Jerusalem a new conception of the heroic Christian poem, blending the classical epic model with deep psychological and moral introspection. Published in 1581, the work profoundly influenced European literature, painting, theater, and music, giving rise to an extraordinary illustrated editorial tradition that spanned over three centuries.
PRINTING HISTORY AND CIRCULATION
The edition by Antonio Groppo belongs to the height of Venetian publishing in the eighteenth century, when the Serenissima continued to distinguish itself for the high quality of typography and art in its productions. The presence of the bicromate title page, the extensive illustrative cycle, and the refined interior decoration attest to a precise editorial intention to offer a prestigious edition destined for aristocratic libraries and collectors.
The French inscriptions impressed on the binding constitute an interesting testimony to the international circulation of the copy during the Napoleonic era, when works considered fundamental for literary formation were often awarded as study or merit prizes, adding further historical and documentary value to the copy.
BIBLIOGRAPHY AND REFERENCES
A. Mai, Bibliografia Tassiana, no. 270.
Gamba, Serie dei Testi di Lingua, no. 948.
Graesse, Trésor de Livres Rares et Précieux.
Brunet, Manuel du Libraire et de l’Amateur de Livres.
Cataloghi delle edizioni illustrate della Gerusalemme Liberata.
Bibliografia dedicata a Pietro Antonio Novelli e Bernardo Castello.
