Joan Torres de Torres (1953) - Bodegón

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Caroline Bokobza
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Selected by Caroline Bokobza

Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.

Estimate  € 400 - € 500
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Bodegón, an oil on canvas painting by Joan Torres de Torres (1953) from Spain, dated 1970–1980, original edition, hand-signed, sold with frame by Galería, measuring 63 × 85 cm with frame and 60 × 81 cm without.

AI-assisted summary

Description from the seller

Pictura Subastas presents this magnificent artwork belonging to Torres de Torres, depicting a prepared table with white china and a fruit bowl, surrounded by a lush plant, in an intimate scene that evokes calm, anticipation, and everyday beauty. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions with frame: 63x85x4 cm.
· Dimensions without frame: 60x81 cm.
· Oil on canvas hand-signed by the artist on the right side of the work.
· The piece is in good conservation condition.
· The work is sold with a beautiful frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an orientation mockup; there may be differences compared to the actual article in color, scale, and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

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This painting presents an intimate still life arranged on a table, where a delicate coffee or tea service shares prominence with a fruit bowl and a lush plant with twisted leaves. The scene is wrapped in a warm, silent atmosphere, dominated by browns, muted greens, whites, and ochres. The objects seem to have been gathered for a quiet moment of rest, though no human figure appears. This absence allows one to imagine that someone has just left the table or is about to sit down at it.

In the foreground is a pale tray on which a coffee maker, a jug, a cup with its saucer, and a small lidded container are laid out. The whiteness of these pieces contrasts intensely with the dark background and with the earthy surface of the table. Each object has a different shape, but all share a delicate and luminous appearance. The arrangement creates a small domestic ensemble full of balance.

The tray occupies much of the lower left area and extends toward the center with an irregular silhouette. Its curved edges frame the different pieces and bring them together visually. Although white predominates, there are numerous gray, bluish, and violet shadows that help discern depth. The tray’s clarity functions as a bright base that immediately draws the eye.

On the far left appears a rounded-bodied coffee pot or teapot. Its handle projects outward forming a wide curve, while the spout faces the center of the composition. The lid is topped by a small detail that completes its silhouette. Its white and gray tones are enriched with shadows that suggest the volume and weight of the object.

Next to the coffee pot sits a smaller, capped container, possibly for sugar. Its compact shape contrasts with the height of the jug behind it. The object appears partially hidden, as if placed spontaneously among the other pieces. This overlap helps create depth and reinforces the sensation of a table ready for use.

The central jug rises above the rest of the service and becomes one of the main focal points. Its broad body narrows slightly toward the top to form a soft peak. The handle is drawn on one side with a delicate curve, while the upper opening is illuminated. Its large clear surface introduces a visual pause within the dark-toned set.

In front of the jug sits a small cup placed on its corresponding saucer. The cup is decorated with subtle bluish and purplish notes that add delicacy to its whiteness. Its small size and central position grant it special proximity, as if waiting for the person who will use it. The saucer bears a gray shadow that separates it from the tray.

The tableware conveys a sense of domestic order and everyday intimacy. It does not seem to depict a grand celebration, but rather a simple moment, possibly breakfast or afternoon tea. The presence of a single cup may suggest a solitary and tranquil pause. It can also be interpreted as preparing a space to receive someone.

To the right stands a white fruit bowl on a slender pedestal. Its elevated form clearly sets it apart from the service in the foreground and gives it a nearly ceremonial presence. The rim curves around several large, round fruits. The base casts a soft shadow on the table, reinforcing its stability.

Inside the fruit bowl appear three pieces of fruit in yellows, greens, reddish tones, and ochres. The central fruit is the most striking due to its warm color and red-tinged facets across its surface. The other two, positioned behind, show lighter and greener shades. This combination adds a note of freshness and natural color within the sober room ambience.

The fruits provide an interesting contrast with the china. While the white vessels suggest manufactured and orderly objects, the rounded, irregular shapes of the fruit recall nature. Both realities coexist harmoniously on the same table. The fruit bowl completes the scene and turns the simple service into a more abundant and welcoming composition.

Behind the objects stretches a large plant, formed by numerous elongated, curved leaves. Its shapes interlace through grayish greens, whites, browns, and dark tones. The leaves seem to descend, rise, and twist in different directions, creating a movement that contrasts with the stability of the tableware. The vegetation occupies much of the background and envelops the objects.

Among the leaves appear small red and pink flowers or buds. These details, though discreet, bring life and draw the eye to various points in the upper area. Some red notes seem to hide among the vegetation, while others stand out clearly. Their irregular distribution creates a visual rhythm and dialogues with the warm tones of the fruits.

The plant is not presented as a secondary decorative element, but as a powerful presence that dominates the background. Its leaves seem to grow freely and form a kind of vegetal curtain behind the table. The abundance of organic shapes intensifies the contrast with the simple geometry of the cups and containers. Thus, nature and domestic objects are united within the same atmosphere.

The background is composed of browns, purples, grays, and greenish tones that add depth and a sense of enclosure. Walls, windows, or other furniture are not clearly discernible, so the space remains undefined. This darkness enhances the luminosity of the tableware and the fruits. The scene seems to unfold in a quiet corner, sheltered from the intense light of the outside.

The table has a surface rich in earthy tones. Browns combine with ochres, grays, and small pinkish reflections that create light variations. The shadows of the tray, the fruit bowl, and the other objects project onto it. These shadows help relate all the elements and prevent them from appearing isolated.

The composition is organized through a balance between light and dark masses. The white tray occupies the lower left area; the fruit bowl lights the right side; and the plant forms a large dark structure in the upper portion. Between these areas, a visual path runs from the cup and jug to the fruits and leaves. The scene thus maintains a tranquil harmony despite the abundance of elements.

The absence of people introduces a narrative dimension. The objects seem to retain the trace of a nearby presence, as if the table had been prepared moments ago. The empty cup, the jug, and the fruits invite one to imagine a conversation, a wait, or a moment of solitude. The still life thus becomes a silent representation of everyday life.

The chromatic combination enhances the collected emotion of the piece. Whites bring purity and clarity; browns and violets create intimacy; greens connect the scene to nature; and yellows and reds introduce warmth. No color dominates entirely; all blend within a serene atmosphere. The image conveys a simple, deeply domestic beauty.

Overall, the work depicts a prepared table with delicate white china, a cup, a jug, and a fruit bowl full of colorful pieces, all accompanied by a large plant with wavy leaves. The harmony between everyday objects, the fruits, and the vegetation creates a warm, intimate, and silent scene. The painting celebrates the beauty of small household rituals and turns a simple moment of rest into an image filled with serenity, balance, and nostalgia.

Seller's Story

We are Pictura Auctions and our mission is to provide an online space where art lovers, collectors and enthusiasts can immerse themselves in a wide repertoire of masterpieces, from the most revolutionary avant-garde to classic jewels that have stood the test of time. Our team of expert curators has carefully assembled a diverse and exciting collection, selecting the most significant and moving pieces from different eras and cultures.
Translated by Google Translate

Pictura Subastas presents this magnificent artwork belonging to Torres de Torres, depicting a prepared table with white china and a fruit bowl, surrounded by a lush plant, in an intimate scene that evokes calm, anticipation, and everyday beauty. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions with frame: 63x85x4 cm.
· Dimensions without frame: 60x81 cm.
· Oil on canvas hand-signed by the artist on the right side of the work.
· The piece is in good conservation condition.
· The work is sold with a beautiful frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an orientation mockup; there may be differences compared to the actual article in color, scale, and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents an intimate still life arranged on a table, where a delicate coffee or tea service shares prominence with a fruit bowl and a lush plant with twisted leaves. The scene is wrapped in a warm, silent atmosphere, dominated by browns, muted greens, whites, and ochres. The objects seem to have been gathered for a quiet moment of rest, though no human figure appears. This absence allows one to imagine that someone has just left the table or is about to sit down at it.

In the foreground is a pale tray on which a coffee maker, a jug, a cup with its saucer, and a small lidded container are laid out. The whiteness of these pieces contrasts intensely with the dark background and with the earthy surface of the table. Each object has a different shape, but all share a delicate and luminous appearance. The arrangement creates a small domestic ensemble full of balance.

The tray occupies much of the lower left area and extends toward the center with an irregular silhouette. Its curved edges frame the different pieces and bring them together visually. Although white predominates, there are numerous gray, bluish, and violet shadows that help discern depth. The tray’s clarity functions as a bright base that immediately draws the eye.

On the far left appears a rounded-bodied coffee pot or teapot. Its handle projects outward forming a wide curve, while the spout faces the center of the composition. The lid is topped by a small detail that completes its silhouette. Its white and gray tones are enriched with shadows that suggest the volume and weight of the object.

Next to the coffee pot sits a smaller, capped container, possibly for sugar. Its compact shape contrasts with the height of the jug behind it. The object appears partially hidden, as if placed spontaneously among the other pieces. This overlap helps create depth and reinforces the sensation of a table ready for use.

The central jug rises above the rest of the service and becomes one of the main focal points. Its broad body narrows slightly toward the top to form a soft peak. The handle is drawn on one side with a delicate curve, while the upper opening is illuminated. Its large clear surface introduces a visual pause within the dark-toned set.

In front of the jug sits a small cup placed on its corresponding saucer. The cup is decorated with subtle bluish and purplish notes that add delicacy to its whiteness. Its small size and central position grant it special proximity, as if waiting for the person who will use it. The saucer bears a gray shadow that separates it from the tray.

The tableware conveys a sense of domestic order and everyday intimacy. It does not seem to depict a grand celebration, but rather a simple moment, possibly breakfast or afternoon tea. The presence of a single cup may suggest a solitary and tranquil pause. It can also be interpreted as preparing a space to receive someone.

To the right stands a white fruit bowl on a slender pedestal. Its elevated form clearly sets it apart from the service in the foreground and gives it a nearly ceremonial presence. The rim curves around several large, round fruits. The base casts a soft shadow on the table, reinforcing its stability.

Inside the fruit bowl appear three pieces of fruit in yellows, greens, reddish tones, and ochres. The central fruit is the most striking due to its warm color and red-tinged facets across its surface. The other two, positioned behind, show lighter and greener shades. This combination adds a note of freshness and natural color within the sober room ambience.

The fruits provide an interesting contrast with the china. While the white vessels suggest manufactured and orderly objects, the rounded, irregular shapes of the fruit recall nature. Both realities coexist harmoniously on the same table. The fruit bowl completes the scene and turns the simple service into a more abundant and welcoming composition.

Behind the objects stretches a large plant, formed by numerous elongated, curved leaves. Its shapes interlace through grayish greens, whites, browns, and dark tones. The leaves seem to descend, rise, and twist in different directions, creating a movement that contrasts with the stability of the tableware. The vegetation occupies much of the background and envelops the objects.

Among the leaves appear small red and pink flowers or buds. These details, though discreet, bring life and draw the eye to various points in the upper area. Some red notes seem to hide among the vegetation, while others stand out clearly. Their irregular distribution creates a visual rhythm and dialogues with the warm tones of the fruits.

The plant is not presented as a secondary decorative element, but as a powerful presence that dominates the background. Its leaves seem to grow freely and form a kind of vegetal curtain behind the table. The abundance of organic shapes intensifies the contrast with the simple geometry of the cups and containers. Thus, nature and domestic objects are united within the same atmosphere.

The background is composed of browns, purples, grays, and greenish tones that add depth and a sense of enclosure. Walls, windows, or other furniture are not clearly discernible, so the space remains undefined. This darkness enhances the luminosity of the tableware and the fruits. The scene seems to unfold in a quiet corner, sheltered from the intense light of the outside.

The table has a surface rich in earthy tones. Browns combine with ochres, grays, and small pinkish reflections that create light variations. The shadows of the tray, the fruit bowl, and the other objects project onto it. These shadows help relate all the elements and prevent them from appearing isolated.

The composition is organized through a balance between light and dark masses. The white tray occupies the lower left area; the fruit bowl lights the right side; and the plant forms a large dark structure in the upper portion. Between these areas, a visual path runs from the cup and jug to the fruits and leaves. The scene thus maintains a tranquil harmony despite the abundance of elements.

The absence of people introduces a narrative dimension. The objects seem to retain the trace of a nearby presence, as if the table had been prepared moments ago. The empty cup, the jug, and the fruits invite one to imagine a conversation, a wait, or a moment of solitude. The still life thus becomes a silent representation of everyday life.

The chromatic combination enhances the collected emotion of the piece. Whites bring purity and clarity; browns and violets create intimacy; greens connect the scene to nature; and yellows and reds introduce warmth. No color dominates entirely; all blend within a serene atmosphere. The image conveys a simple, deeply domestic beauty.

Overall, the work depicts a prepared table with delicate white china, a cup, a jug, and a fruit bowl full of colorful pieces, all accompanied by a large plant with wavy leaves. The harmony between everyday objects, the fruits, and the vegetation creates a warm, intimate, and silent scene. The painting celebrates the beauty of small household rituals and turns a simple moment of rest into an image filled with serenity, balance, and nostalgia.

Seller's Story

We are Pictura Auctions and our mission is to provide an online space where art lovers, collectors and enthusiasts can immerse themselves in a wide repertoire of masterpieces, from the most revolutionary avant-garde to classic jewels that have stood the test of time. Our team of expert curators has carefully assembled a diverse and exciting collection, selecting the most significant and moving pieces from different eras and cultures.
Translated by Google Translate

Details

Artist
Joan Torres de Torres (1953)
Sold with frame
Yes
Sold by
Gallery
Edition
Original
Title of artwork
Bodegón
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Good condition
Height
63 cm
Width
85 cm
Style
Impressionism
Period
1970-1980
SpainVerified
2525
Objects sold
100%
protop

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