Joan Torres de Torres (1953) - Costa mediterránea





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Joan Torres de Torres (1953) presents Costa mediterránea, an original oil on canvas signed by the artist in the lower left, in good condition, sold with a frame, with the artwork measuring 38 x 55 cm (frame 41 x 58 x 4 cm) and dating to the 1990–2000 period.
Description from the seller
Gallery Pictura presents this magnificent work of art belonging to Torres de Torres, depicting a serene bay with a curved beach and a small coastal village protected by the mountains, in an atmosphere of calm, silence, and soft melancholy. The painting stands out for its excellent technique and the high pictorial quality it conveys.
• Frame dimensions: 41x58x4 cm.
• Work dimensions: 38x55 cm.
• Oil on canvas hand-signed by the artist in the lower left corner, Torres de Torres.
• The piece is in good conservation condition.
• The work is sold with a precious frame (included in the auction as a gift).
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the real item in color, scale, and detail.
The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be by Correos or GLS with tracking. International shipping available.
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This painting represents a tranquil coastal bay viewed from an elevated perspective, where a sandy beach describes a gentle curve until it meets a small cluster of houses at the foot of the hills. The composition is dominated by the breadth of the water, which occupies most of the surface and conveys an immediate sense of depth, silence, and contemplation. The landscape is wrapped in a subdued light that unifies the sea, the coast, and the mountains under a serene and slightly mysterious atmosphere.
The beach extends from the left margin and moves diagonally toward the center of the scene. Its curved shape creates a natural path that guides the gaze from the foreground to the structures in the background. The ochre, beige, muted golds, and soft browns differentiate the sand from the water and bring a warm note within a composition dominated by cool colors.
The line where the sea meets the shore is marked by a succession of small white and grayish reflections. These luminous bands suggest the gentle movement of waves breaking on the sand. The surf seems calm, not violent, reinforcing the impression of a protected bay and a day when nature remains at rest.
The water becomes the great visual protagonist of the work. Deep greens, bluish grays, muted turquoises, and violets blend to form a changing, nuanced surface. The color variations evoke the depth of the sea, the reflection of the sky, and the presence of currents that quietly traverse the bay.
In the areas closest to the shore there are clear reflections that add movement and light. As the gaze moves toward the center, the water takes on darker, denser tones, creating a sense of depth. Toward the right, some lighter blues and greens return to illuminate the surface, establishing a delicate balance between light and shadow.
The vastness of the sea provides a breathing space in front of the abundance of detail concentrated at the horizon. The absence of boats and human figures intensifies the sense of stillness, as if the scene had been captured at a particularly silent moment. This calm makes the bay an intimate space, set apart from everyday motion.
In the background stands a small coastal village formed by light-colored houses with reddish roofs. The buildings cluster near the water and are irregularly distributed along the coast. Their white and cream tones stand out against the dark greens of the vegetation, adding small points of light that animate the horizon without breaking the overall serenity.
The population seems to be fully integrated into the landscape. The houses do not dominate nature but fit themselves between the shore and the slopes, following the contours of the terrain. This harmonious relationship between architecture, mountains, and sea conveys a sense of rootedness and life closely linked to the coastal environment.
Behind the village rise several hills covered with vegetation. Their broad, undulating profiles close the bay and create the impression of a protected space. Olive greens, browns, grays, and nearly black tones spread across the slopes, while some small light patches suggest dispersed homes or distant illuminated areas.
The mountain at the center has a particularly prominent presence. Its slope gently descends toward the water and frames the coastal population. The dark areas of its surface contrast with the light houses at the base, reinforcing depth and making the village appear even smaller against the grandeur of the landscape.
The sky occupies a relatively narrow band at the top and appears composed of grays, warm whites, and faint greenish hues. Its subdued tone suggests a cloudy day, perhaps in the early morning hours or late afternoon. The diffuse light avoids sharp contrasts and wraps the scene in a uniform, soft, melancholic atmosphere.
The composition is articulated by an elegant succession of curved lines and horizontals. The shore guides the eye toward the village, the water’s surface creates breadth, and the mountains close the journey in the distance. This balance between openness and protection gives the scene a harmonious structure and fosters slow, contemplative viewing.
The landscape awakens an intense sense of nostalgia. The empty beach, the silent village, and the restrained light seem to preserve the memory of a known place or a past day by the sea. There is no specific event, but precisely that absence allows the viewer to project their own memories and emotions onto the scene.
A deep connection between the coast and the village’s daily life is also perceived. The houses near the water suggest a community historically linked to the sea, its changes, and its rhythms. The bay thus appears not only as a natural element but as the silent center around which the entire landscape is organized.
Together, the work offers an intimate and immersive view of a tranquil bay, with its curved beach, deep waters, and a small village sheltered among green hills. The harmony of cool tones, the diffuse light, and the absence of movement create an atmosphere of calm, melancholy, and timeless beauty. It is a landscape capable of bringing serenity and depth to any space, evoking the quiet of the sea and the emotion of contemplating the coast from a distance.
Gallery Pictura presents this magnificent work of art belonging to Torres de Torres, depicting a serene bay with a curved beach and a small coastal village protected by the mountains, in an atmosphere of calm, silence, and soft melancholy. The painting stands out for its excellent technique and the high pictorial quality it conveys.
• Frame dimensions: 41x58x4 cm.
• Work dimensions: 38x55 cm.
• Oil on canvas hand-signed by the artist in the lower left corner, Torres de Torres.
• The piece is in good conservation condition.
• The work is sold with a precious frame (included in the auction as a gift).
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the real item in color, scale, and detail.
The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be by Correos or GLS with tracking. International shipping available.
------------------------------------------------------------------
This painting represents a tranquil coastal bay viewed from an elevated perspective, where a sandy beach describes a gentle curve until it meets a small cluster of houses at the foot of the hills. The composition is dominated by the breadth of the water, which occupies most of the surface and conveys an immediate sense of depth, silence, and contemplation. The landscape is wrapped in a subdued light that unifies the sea, the coast, and the mountains under a serene and slightly mysterious atmosphere.
The beach extends from the left margin and moves diagonally toward the center of the scene. Its curved shape creates a natural path that guides the gaze from the foreground to the structures in the background. The ochre, beige, muted golds, and soft browns differentiate the sand from the water and bring a warm note within a composition dominated by cool colors.
The line where the sea meets the shore is marked by a succession of small white and grayish reflections. These luminous bands suggest the gentle movement of waves breaking on the sand. The surf seems calm, not violent, reinforcing the impression of a protected bay and a day when nature remains at rest.
The water becomes the great visual protagonist of the work. Deep greens, bluish grays, muted turquoises, and violets blend to form a changing, nuanced surface. The color variations evoke the depth of the sea, the reflection of the sky, and the presence of currents that quietly traverse the bay.
In the areas closest to the shore there are clear reflections that add movement and light. As the gaze moves toward the center, the water takes on darker, denser tones, creating a sense of depth. Toward the right, some lighter blues and greens return to illuminate the surface, establishing a delicate balance between light and shadow.
The vastness of the sea provides a breathing space in front of the abundance of detail concentrated at the horizon. The absence of boats and human figures intensifies the sense of stillness, as if the scene had been captured at a particularly silent moment. This calm makes the bay an intimate space, set apart from everyday motion.
In the background stands a small coastal village formed by light-colored houses with reddish roofs. The buildings cluster near the water and are irregularly distributed along the coast. Their white and cream tones stand out against the dark greens of the vegetation, adding small points of light that animate the horizon without breaking the overall serenity.
The population seems to be fully integrated into the landscape. The houses do not dominate nature but fit themselves between the shore and the slopes, following the contours of the terrain. This harmonious relationship between architecture, mountains, and sea conveys a sense of rootedness and life closely linked to the coastal environment.
Behind the village rise several hills covered with vegetation. Their broad, undulating profiles close the bay and create the impression of a protected space. Olive greens, browns, grays, and nearly black tones spread across the slopes, while some small light patches suggest dispersed homes or distant illuminated areas.
The mountain at the center has a particularly prominent presence. Its slope gently descends toward the water and frames the coastal population. The dark areas of its surface contrast with the light houses at the base, reinforcing depth and making the village appear even smaller against the grandeur of the landscape.
The sky occupies a relatively narrow band at the top and appears composed of grays, warm whites, and faint greenish hues. Its subdued tone suggests a cloudy day, perhaps in the early morning hours or late afternoon. The diffuse light avoids sharp contrasts and wraps the scene in a uniform, soft, melancholic atmosphere.
The composition is articulated by an elegant succession of curved lines and horizontals. The shore guides the eye toward the village, the water’s surface creates breadth, and the mountains close the journey in the distance. This balance between openness and protection gives the scene a harmonious structure and fosters slow, contemplative viewing.
The landscape awakens an intense sense of nostalgia. The empty beach, the silent village, and the restrained light seem to preserve the memory of a known place or a past day by the sea. There is no specific event, but precisely that absence allows the viewer to project their own memories and emotions onto the scene.
A deep connection between the coast and the village’s daily life is also perceived. The houses near the water suggest a community historically linked to the sea, its changes, and its rhythms. The bay thus appears not only as a natural element but as the silent center around which the entire landscape is organized.
Together, the work offers an intimate and immersive view of a tranquil bay, with its curved beach, deep waters, and a small village sheltered among green hills. The harmony of cool tones, the diffuse light, and the absence of movement create an atmosphere of calm, melancholy, and timeless beauty. It is a landscape capable of bringing serenity and depth to any space, evoking the quiet of the sea and the emotion of contemplating the coast from a distance.

