Jordi Jové (1937) - La calle

Pictura Galeria presents this magnificent work of art by Jordi Jové, depicting a traditional village surrounded by fields and high mountains, with a street that leads to the church and evokes calm, history, and rootedness in the land. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 50x61x1 cm.
· Oil on board hand-signed by the artist.
· The piece is in good condition.

The work comes from an exclusive private collection in Girona.

Important note: the included photographs are an integral part of the lot description. Digital representation in a rough mockup; there may be differences compared to the actual item in color, scale, and details.

The work will be professionally packed by a IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

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This painting represents a wide street of a town at the foot of the mountains, where traditional architecture, cultivated fields, and the natural relief merge into a composition of great visual strength. The perspective guides the gaze from the foreground to a church that rises at the center of the town, while the mountains dominate the horizon with their powerful presence. The scene conveys rootedness, silence, and the feeling of looking at a place whose identity has been built over time.

The street occupies an essential part of the composition and moves from the lower edge toward the center, narrowing progressively as it approaches the religious building. Its reddish tone contrasts with the greens of the vegetation and the deep blues of the mountains. This road becomes the visual axis of the landscape and an invitation to walk through the town until reaching its historic heart.

The perspective of the road provides a remarkable sense of depth. The side boundaries converge as they progress into the background, guiding the gaze directly toward the church. Although completely empty, the space does not feel abandoned, but paused in a moment of tranquility, as if daily activity had been momentarily suspended.

On the right rises a row of buildings that accompany the street’s course. Their facades appear in browns, ochres, reddish tones, grays, and whites, creating a sober and harmonious chromatic sequence. The dark windows and doors add rhythm to the surfaces, while the different levels and volumes suggest constructions raised in different eras.

Some facades show wide light areas that seem to catch the sky’s light, contrasting with the darker, earthier structures. This alternation avoids monotony and adds dynamism to the urban whole. The small pitched roofs, balconies, and accesses reinforce the town’s traditional character and allow us to imagine the life that unfolds behind each wall.

To the left extend several cultivated plots, organized with lines and small posts that delineate the land. The vegetation is arranged in irregular rows and may remind one of vineyards or orchards surrounding the urban core. These fields introduce a rural dimension and show the close relationship between the town and the land.

The intense greens of the crops contrast with the ochre and brown tones of the soil. Some areas appear more illuminated, while others are shrouded in deep shadows. This variation gives volume to the terrain and suggests that light passes through clouds irregularly, illuminating specific fragments of the landscape.

Between the fields and the houses small, barely sketched human figures appear, whose discreet presence adds scale and life to the scene. Far from becoming protagonists, these figures blend into the surroundings as part of daily life. They can be imagined as inhabitants walking toward the town or working near the crops, reinforcing the piece’s authentic character of the landscape.

At the center of the composition stands out the church, recognizable by its light volume and the tower that rises above the rooftops. Its yellowish hue sets it apart from the surrounding buildings and makes it the main focal point. The tower, topped by a slender form, establishes a vertical axis that visually links the town with the mountains and the sky.

The church seems to occupy the heart of the locality, acting as an architectural reference and a symbol of historical continuity. Its presence dominates the scene without becoming overly monumental, maintaining a balanced relationship with the houses, the fields, and the landscape. The building transmits permanence and suggests the importance of communal spaces within the town’s life.

Behind the structures rise the mountains, depicted with deep greens, dark blues, and near-black shades. Their broad, angular profiles create a solid background and make the urban core seem protected by the relief. The green hillside areas suggest abundant vegetation, while the darker parts add mystery and depth.

The central mountain especially dominates the horizon and concentrates much of the work’s visual strength. Its slope descends toward the fields and houses, linking the natural surroundings with the population. The apparent proximity of the relief conveys the sense of a town deeply conditioned by its geography and adapted to the valley’s shape.

The sky is covered by a succession of white, gray, and bluish clouds. Its luminosity contrasts with the dark mountains and provides breadth to the upper part of the composition. Color variations suggest a changing day, where clarity alternates with moments of shadow and continually transforms the landscape’s appearance.

The composition is built through a balanced combination of diagonal, horizontal, and vertical lines. The street pushes the gaze toward the background, the fields extend the scene sideways, and the church tower rises as a reference point. This structure gives order to a landscape rich in shapes and allows each element to retain its importance.

The absence of traffic and the scarce human movement create an atmosphere of quiet and contemplation. The town seems to preserve a slow pace, tied to the crops and the natural cycle of the seasons. The image evokes places where architecture, tradition, and landscape still form an inseparable unity.

The colors decisively contribute to the artwork’s personality. Greens evoke fertility and life; reddish-browns bring warmth; dark blues introduce depth; and the light tones of the church and some facades brighten the scene. The combination creates an intense and expressive landscape, capable of conveying both serenity and character.

Overall, the work offers an evocative vision of a traditional village set among cultivated fields and great mountains, with a reddish street leading to the central church. The solidity of the architecture, the richness of the vegetation, and the depth of the relief build a scene full of identity, memory, and authenticity. It is a composition that conveys calm and rootedness, capable of imparting to any space a powerful sense of history, landscape, and Mediterranean life.