Adolphe de Siebenthal (1895-1958)  - Marina con velieri

Main Details of the Work
Artist: Adolphe de Siebenthal (1895–1958)
Subject: View of a harbor with sailing fishing boats (Marina)
Technique: Oil on canvas
Canvas dimensions: 50 x 61 cm
Framed dimensions: 80 x 68 cm
Signature: Signed "A. de Siebenthal" in the bottom right on the front.

The Artist
Adolphe de Siebenthal (1895–1958) was a Swiss painter and teacher. An active figure in the Swiss art scene, he was a member of the Swiss Society of Painters, Sculptors and Architects (SPSAS). From 1930 until his death, he participated in several exhibitions at the Musée Rath in Geneva. His production concentrates particularly on landscape, characterized by luminous compositions, calm atmospheres and controlled yet tactile brushwork, often favoring elegant cool tones.

Artistic Description and Subject
Bright and airy oil on canvas depicting a serene port scene with several sailing fishing boats moored. The work stands out for a post-impressionist painting approach, characterized by confident, tactile brushstrokes that convey the maritime atmosphere with great freshness.

The artist skillfully plays with a palette dominated by blue shades of water and sky, in harmonious contrast with the warm ochre and earth tones of the large lowered sails and with the bright white of the hulls. The composition is balanced and conveys a deep sense of calm, typical of the fleet’s resting moments in coastal ports.

Signature, Inscriptions and Provenance
The work presents interesting historical and technical details that enhance its documentary value:
Front of the work: At the bottom right the artist’s autograph signature "A. de Siebenthal" is clearly legible.
Back of the work and Frame: On the back, the canvas is in excellent condition and properly anchored to the frame. On the wooden frame are pencil notes reading "80 68" and "50 61", which precisely correspond to the outer dimensions of the frame and the net dimensions of the canvas.

Historical label: On the frame there is a fine antique label: "GALERIE VOLTAIRE / J. et Ch. CHÉDEL / MANUFACTURE DE CADRES / 6 rue Voltaire Tel. 44 67 12 G", testimony to a prestigious and carefully curated historical framing done in Geneva.

Condition and Frame
The painting is presented in excellent conservation condition. The painterly surface is solid, well preserved, and retains the luminosity and brilliance of the original colors without evident color fading.

The work is enriched by a substantial carved wooden frame with a hollowed cross section, enhanced by a gold outer finish and a wide inner passepartout profile in light fabric (likely raw canvas or linen), which gives depth and breath to the painting. The frame shows only slight and normal signs of age that do not compromise its excellent aesthetic presentation.

Important information for bidders
As a private seller, please read carefully some notes to ensure an ideal transaction for both parties.

The frame: The frame visible in the photos is included in the lot as a pure courtesy from me and is not part of the sale, does not determine its value, and, due to its delicacy, is not insured. Consequently, any defects already present on the frame are not reported and any damage to it during transport will not be considered for claims or returns.

Shipping and customs notes: The item will be shipped from Geneva, Switzerland. For this reason, delivery times to European Union countries may be slightly longer than usual due to standard customs procedures. Also note that, since Switzerland is outside the EU customs area, import duties, local VAT and customs duties are entirely the buyer’s responsibility and will be charged by your country’s authorities upon delivery. I advise you to inform yourself in advance to avoid surprises.

Pickup and Packaging: Alternatively to shipping, if you have the possibility, in-person pickup in Geneva is always the option I prefer and strongly recommend, as it eliminates shipping costs and ensures maximum safety for the work. If shipping is chosen, I will do my best to package the frame to protect the painting during transit."